JETHRO TULL
Prog|Issue 139
Ian Anderson draws on Viking mythology on the follow-up to The Zealot Gene - but no one's living in the past on Tull's 23rd album.
- Sid Smith
JETHRO TULL

When Ian Anderson began treading the boards in the early 1960s, there was never any expectation that bashing out a few blues standards could lead to something like a proper career. Pop stars came and went – even The Beatles thought all the fuss would blow over soon enough. If they were lucky they’d make a few hits, meet a few stars, have a few laughs and bank a few stories to tell the customers frequenting the shop they’d probably open in their settled-down post-pop life.

Well, that might have been the theory back then but somebody must have forgotten to pass the memo on to Anderson. Driven by a fearsome, unrelenting work ethic for more than half a century, the singing flautist and the current incarnation of Jethro Tull are back with their 23rd studio album, RökFlöte.

この蚘事は Prog の Issue 139 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は Prog の Issue 139 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

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