When King Crimson mastermind Robert Fripp leaked curious details of BEAT in spring 2024, more than a few eyebrows were raised. The project celebrates King Crimson's 80s albums Discipline (1981), Beat (1982) and Three Of A Perfect Pair (1984).
Think of King Crimson and the mind's eye usually wanders to the band's 1969 masterpiece In The Court Of The Crimson King, or maybe one of their 70s classics. However, the early 80s was a time when Fripp cosied up alongside Adrian Belew, a former Frank Zappa, David Bowie and Talking Heads cohort; Tony Levin, who had spent the 70s undertaking everything from jazz to pop; and Bill Bruford, originally part of their early 70s line-up. It was a time to reinvent the wheel.
Things were so fresh and new that, according to Belew, it wasn't even supposed to be called King Crimson. "Originally, Robert called me when I was touring Europe with Talking Heads, and in that phone call, he said that he and Bill Bruford would like to start a band with me. They weren't sure who the bass player would be, and it wasn't called King Crimson.
Robert wanted to call it Discipline." Eventually, a bass player was settled upon in the form of Tony Levin. Looking back, he says: "It was a fascinating collection of musicians back in 1980, or at the beginning of '81 when we got together to rehearse."
"I knew Robert's playing very well," Levin continues. "I played with him with Peter Gabriel and on Robert's solo album, Exposure [1979]. I didn't know Adrian and Bill; I wasn't even an expert on the history of King Crimson. But I got in this room in downtown New York to rehearse and see about maybe forming a band. I heard three extraordinary players who are not only great musicians, but when you think about it, each one is utterly unique on his instrument."
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, theyâre celebrating last yearâs performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the bandâs ambitious early years and bassist Craig Fletcher fills Prog in on JLBJHâs upcoming âprogtasticâ double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael à kerfeldt and guitarist Fredrik à kesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
