DR BR Ambedkar referred to the French Revolution, which abolished the three orders of feudal society, as an inspiration for the anti-caste movement. So, one could think that it was natural for a French scholar of India to study this movement. Paradoxically, however, as a European, I first had to come to terms with the orientalist stereotypes of India, in which the untouchables’ legendary subordination holds an important place, at least rhetorically.
Let me start by introducing my interest in the anti-caste movement in a biographical manner. I started taking an interest in caste quite early when I first visited India in 1991. I was just 20 and travelled on my own through North India. My anthropology teacher had advised me to read Homo Hierarchicus as a must-read on Indian society. He even advised me to bring it with me as a sort of user’s manual in order to open my eyes to the local social structures during my trip.
However, the hierarchical society that Louis Dumont theorised did not reveal itself openly to a young tourist. What I could witness from my own eyes was only the extreme poverty. All that I could guess regarding caste was that it probably functioned in an invisible way. Did the intensity of religious activity that I also witnessed, mean that I should accept Dumont’s theory according to which so-called untouchables accepted their social status as their fate to focus instead on improving their future lives, therefore abiding by the social status ascribed to them by birth, in the name of Hindu orthodoxy?
I wondered if India could really provide a sort of ethnological exception to the paradigm of class consciousness, and thus challenge its claim to universality.
ãã®èšäºã¯ Outlook ã® August 21, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® August 21, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee