In Photoshop compositing, a neat trick is to create a layer between the subject and the background and add a radial gradient in white – this produces a pleasing fog effect. Our brain sees this fog and thinks there must be distance between the subject and the background, effectively creating depth in the composite.
Obviously, the subject has to be cut out to give a clear view of the background. This could be done with erasing, or using a layer mask in Photoshop. Lightroom does not have the benefit of these layer masks or the ability to erase, but it does have a masking feature. Thanks to the redesigned masking in Lightroom Classic CC, we can still achieve this effect for portraiture. It’s probably more effective for studio photos and gives a pleasing lift, acting like an additional background light.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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