01 HUNTER
Anthony catches this Tawny Owl with a side-on profile
Lens Canon EF 100-400mm f/4.5-5.6L IS USM II Exposure 1/30 sec, f/5.6, ISO100
02 I SEE YOU
Perched on its post this Tawny Owl is looking directly down the lens
Lens Canon EF 100-400mm f/4.5-5.6L IS USM II Exposure 1/30 sec, f/5.6, ISO100
03 SPREAD YOUR WINGS
A Tawny Owl comes into land with its wings outstretched
Lens Canon EF 100-400mm f/4.5-5.6L IS USM II Exposure 1/30 sec, f/5.6, ISO100
04 SWOOP!
Anthony caught another brilliant action landing shot in the dark
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TELEPHOTO ZOOM LENSES
If you're fired up by all of this year's sporting activities, here are the best telephoto zooms for Canon EOS R system and DSLR cameras. Grab the action!
SIGMA 18-50mm f/2.8 DC DN IC
This is Sigma's first Canon RF mount lens - and the six-year wait has been worth it for this pocket-sized powerhouse
Create cinematic stunners
Master the tools in DPP to deliver drama and a cinematic feel for powerful images
Operation: Night Hunter
Anthony was out until 2am photographing Tawny Owls hunting for supper in the dark set myself the target of photographing Tawny Owls at night.
Fix 'flat' autumn images in Lightroom
If your images aren't showing the full range of autumnal hues, here's one way to fix them, says Sean McCormack
The art of copying art
James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Searching for snakes
Jim travels to Thailand in search of snakes and the newly classified Tenasserim Pit Viper - all in 100% humidity!
ELLIE ROTHNIE
Lauren Scott catches up with the awardwinning wildlife pro photographer Ellie Rothnie. Sheâs now a Canon Ambassador, and creates content while her photography still reveals stunning skill and fieldcraft...
YORKSHIRE'S DELIGHTFUL DALES
This month we pair up landscape pro Paul Grogan with PhotoPlus reader Stephen for a photo tour around the picturesque Yorkshire Dales
Letting go with composition
How a walk to Side Pike in the Lake District changed my approach and my attitude to using pure instinct for image construction
