April this year saw Maxon release a new Red Giant tool with Geo. It’s partly for artists who want to render 3D files in After Effects while skipping the step of rendering an object as a sequence of stills with alpha channels in rendering software, then adding these into their motion graphics software.
But there’s another aspect to Geo too: it performs the playback and rendering of thousands of objects, at speed, and is well worth considering if you need to create a potentially dangerous and expensive scene like a rockfall or underwater setting.
In this tutorial, we'll be creating the Moon using Geo, with a little help from a UV map from NASA, and adding a rain shower in the foreground using Geo's Clone tool. In the first four steps we'll make the rotating Moon, followed by creating the rainfall. For me, Geo's best selling point is its Clone tool, which can clone a 3D object thousands of times, handle it well and render it fast, as we'll see with the raindrops; but they could easily be snow or rocks too.
One tool that won't be covered is the Shadow Catcher, which is well worth exploring once you're familiar with Geo. If you're using a Red Giant trial, take the time to add native After Effects effects such as camera lens blur or lens flare to the scene, or test out the Bokeh Transition added to Red Giant Universe and Real Lens Flares in the Red Giant VFX set. This includes Obscuration layer ability so a flare can be calculated by reacting to obscuring shapes you place in front of the light.
01 IMPORT A SPHERE ACROSS FROM GEO
Open a new composition in After Effects at either 1,920 x 1,080 or 3,048 x 2,040 as you prefer. Create a new solid, go to the Effects panel and select ‘RG Trapcode’, then Geo. Open up the Geometry, select your sphere, and resize it to suit your needs.
02 GRAB THE MOON MAPS
この記事は 3D World UK の December 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は 3D World UK の December 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Nvidia GeForce RTX 4080 Super Founders Edition
On the surface, the GeForce RTX 4080 Super is barely any different from the vanilla GeForce RTX 4080 that was launched in 2022.
MCU VFX moments
Pros choose their favourite CG shots from the Marvel Cinematic Universe
Nosing around on Fallout
We sniff out the story of how FutureWorks brought The Ghoul to life with the creation of his iconic noseless face
DISCOVER RED GIANT GEO'S HANDY TOOLS
Heather Sterland introduces one of the newest additions to Maxon's suite of Red Giant VFX plugins with an atmospheric lunar creation
BUILD AND ANIMATE A FUN-FILLED ROBOT
Expand your horizons with Julio Benavides, who reveals his workflow for creating a charming hard-surface character
DESIGN STRIKING SCULPTS AT SPEED
Learn how to build 3D characters that balance visual quality and efficient workflow with pro advice from Oh Holy Mary
CREATE A CANYON ENVIRONMENT
Build a stunning desert setting with an expert walkthrough from Romain Eboli, who uses high-quality Quixel assets
TURN A 2D CONCEPT INTO AN INCREDIBLE 3D-PRINTED FIGURE
Concept artist Emily Chapman shares her process for sculpting, printing and painting an outstanding model to put on display
Goodbye SAIGON
Trevor Hogg gets held captive by multiple versions of Robert Downey Jr.while uncovering the visual effects of HBO's spy series The Sympathizer
IMPRESSIONISTIC REALISM
Trevor Hogg learns how the artisan aesthetic came to be for The Wild Robot