試す 金 - 無料
Wharfedale Heritage Series 90th Anniversary Dovedale
Stereophile
|April 2024
LOUDSPEAKER
When I first got interested in audio in the UK, in the 1960s, four English brands dominated the domestic loudspeaker scene: Goodmans (founded in 1923), Celestion (whose first loudspeaker was launched in early 1925), Tannoy (which started making loudspeakers in 1928), and Wharfedale. Wharfedale was the youngest of these brands, founded in 1932 in Yorkshire the land of the Dales-by Gilbert Briggs.
In 1968, following some failed experiments with home-brewed speakers, I was looking to buy a pair of "real" loudspeakers. I was attracted to the large Wharfedale Dovedale, with its 12" woofer, but ended up with a pair of Wharfedale's Super Lintons, the two-way model with the "purple jellyfish" tweeter. I was able to afford the smaller Wharfedales, and they fit on bookshelves in my parents' living room. I subsequently installed the speakers on shelves in my first apartment, then again on shelves in my first house's living room. I used the Super Lintons for several years, until I joined the staff of British magazine Hi-Fi News & Record Review in 1976. But I always wondered if I should have borrowed enough money to buy those original Dovedales.
このストーリーは、Stereophile の April 2024 版からのものです。
Magzter GOLD を購読すると、厳選された何千ものプレミアム記事や、10,000 以上の雑誌や新聞にアクセスできます。
すでに購読者ですか? サインイン
Stereophile からのその他のストーリー
Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
10 mins
February 2026
Stereophile
Touched-up Beatles and Ringo in color
Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.
3 mins
February 2026
Stereophile
Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
4 mins
February 2026
Stereophile
EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
16 mins
February 2026
Stereophile
RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
3 mins
February 2026
Stereophile
Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
14 mins
February 2026
Stereophile
Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
4 mins
February 2026
Stereophile
Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
12 mins
February 2026
Stereophile
CH Precision L10
TWO-CHASSIS LINE PREAMPLIFIER
16 mins
February 2026
Stereophile
Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
3 mins
February 2026
Listen
Translate
Change font size

