When any art wears a cloak of professionalism and serves the public in general, it connects people, and aesthetics seep in very subtlety. This has been observed in the costumes designed by Sandhya Raman for the 73rd Republic Day Parade. The recognition of Sandhya’s work is a big step by the Ministry of Culture to give a platform to professionals of creative fields.
Two artists, Meena Yadav and Nawal Kishore have established themselves through immense dedication and sincerity. The works shared on the pages of Art Observer permit us to study the themes of their works and understand the strokes and colours used by them.
Art collectors of the past have played a prominent role by providing information on the influences on our art scene of a particular time at a particular place. Marble Palace of Kolkata is one such treasure house that has been well highlighted by Jyotika Basak.
An extremely renowned Printmaker, Jagmohan Chopra’s journey in his field has been recalled very passionately by our regular contributor, D S Kapoor. The art revolution in city beautiful could have never been the same without Jagmohan Chopra’s unusual art.
Sachin Kothari, a miniature artist of Udaipur is putting in all the efforts with utmost sincerity to keep it alive in India and other countries. In Conversation, I have shared the lifestyle and struggles of an artist through a very candid interview. Sachin’s work and continuous efforts to coach the new generation deserve a huge appreciation.
 An article on Santhal Art by Alkaa Khanna has given in-depth information on style, theme and materials.
Art mediums are adding to the new phase of experiments in creating pieces of art. Pooja Gupta’s well-researched piece on this topic adds to the richness of Art Observer.
How can we not add a crossword to revise our knowledge and always learn more? Yes, our crossword on drawing and materials completes this issue.
Till we bring more to the next issue, enjoy reading!

Art Observer is once again sharing the activity-loaded issue to prove that artists in different parts of our country are full of enthusiasm and creativity. The fear of Omicron is there but taking all precautions the exhibitions and Art Camps are being organized to keep the morale of the artists high.
A National Painting Camp was organized at Srinagar by the Jammu & Kashmir Academy of Art, Culture and Languages the event was part of - Azadi Ka Amrut Mahotsav.
ekAtm-Assimilated in One show revealed some amazing works of hard-working artists. 
An ancient trend of ‘guru shishya parmpara’ was shown through one day workshop at artist Roop Chand’s Art Centre, Gurgaon.
A National webinar on Basohli school of painting. Art Observer has shared some details in the article.
An article on A. Ramachandra, a living legend and a Padma Bhushan awardee. Alka Harpalani’s article on Kavita Nayar has touched upon some styles and themes that the artist is known for.
D. S. Kapoor has very meticulously traced the long journey of an icon - Dr. M. S. Randhawa. 
In Conversation, this time we present an unassuming daughter of a well-known artist and teacher, R. K. Jain. She shares the achievements of her father with our readers.
In this issue, Pooja Gupta is mentioning a few details on the Japanese art of flower arrangement. 
Readers will certainly enjoy this article with illustrations. Art Observer shall continue to bring art to the forefront in different forms to be shared by all. Happy reading!

Out of many aspects of nature, flowers have surfaced as a significant part of several compositions. From realistic to still life compositions, flowers have been greatly admired by art lovers. As a part of design all over the world, floral motifs have always dominated. ‘Floral motifs in design and art’ is an interesting article that explains the floral motif as an integral part of design in textile, painting and architecture.
The article on unforgettable works of Ramkinkar have woven an interesting story of his contribution to Indian contemporary sculpture
Prof. D. S. Kapoor has given an in-depth information in his article on this topic that may interest many readers.
The unique history of Kerala Murals reveals the art of skill and creative excellence. These are part of many buildings throughout the state, be it a church, temple or a palace. Find more details on the last page.
Dr. S. S. Bhatti is one such legendary figure who has influenced many and is truly a multifaceted personality. Charanjit Singh Shah has very fondly penned an article on his mentor, Dr Bhatti.
Readers will find it very exciting to know how Aryan Heritage Foundation is bringing Sampurn Ramayan to multiplexes to make the epic memorable.
Art Observer is once again adding to the knowledge of readers by providing an interesting crossword on Contemporary Art styles. 
Covering the exhibitions and shows on art. Tapan Dash’s works on display and Artistagram’s group show tell us the story of success of several artists in the field of visual arts.
Each issue is the portfolio of good works of art, presented through writing and beautiful photographs. Thank you, the reader, for taking time to browse through our pages and we hope you find it educative, informative and aesthetically appealing.

Goddess Durga descended the Earth on Mahalaya which is celebrated by Bengalis all over the world. The festival is associated with different practices like invoking the goddess 'Mahisasura Mardini' with mantras- 'Jago Tumi Jago' This is called 'Chokkhudaan'. 
Embroidery is one such craft that reflects the diversity of cultures in our country. This art had started dwindling in the past but fortunately, many NGOs have taken the initiative to keep it alive, pass it down to the younger generation and provide some livelihood to the craftsmen (many are women). 
D S Kapoor's scholarly inputs are always unique and full of information. His article on Ramgarhia's Virasat not only makes us proud but also puts Indian cultural contributions on an elevated international platform. 
In this 21st century we have seen Art marrying Science and during pandemic, it opened many portholes/windows. 'Art Courses for the New Age' is a step forward to guide the youngsters to bring scientific approach to their art and meet the demand of the day. The Digital Art and Illustration courses are answer to many who are trying to keep pace with the technology in changing times.
Once again, we bring to you a rare and versatile personality who has made name in the field of theatre- Harish Bhatia. I have had the privilege of working with him on stage and can boast of picking up many nuances on acting from his vast experience. Acting and directing come to him with equal spontaneity'. In the Conversation' permitted me to ask all related questions and his honest replies are enough to invoke the interest in theatre in many youngsters. Having been a professor at the Engineering College, he continued his quest for theatre and made it fruitful.
Art Observer believes in genuinely observing the ongoing art scenes and give special coverage to contemporary artists. 
Culture, theatre, traditional crafts, art education and heritage, we have layered it all for you to read and enjoy.

Welcome to the eleventh issue of Art Observer. We have learned to struggle and face the continuous attacks of COVID and are thriving on virtual shows and workshops. The endemic has certainly effected the artists, art critics, and art admirers to quite an extent.
We strongly believe that if we are passionate, tenacious and ready to work endlessly, we can fight all odds and we can continue to ‘tell’ stories not made up of words but composed of shapes, colours and materials. Art Observer is always ready to observe and cover them all.
Kolkata is known for deep rooted culture and its artistic connect is reflected in day to day life. Jyotika Basak has encapsulated the Art heritage of this beautiful city in her article.
The art of tattooing has become quite a trend in fashion in the 21st century. D. S. Kapoor has gathered enough information to share the details of this Body Art.
When an artist steps into the world of art to establish oneself, there is always a looking back to connect with one’s teacher/mentor who gave the basic tips. Sakshi Bajaj is on one such trip, full of nostalgia while writing about Jyotika Sehgal. 
According to Psychologists there is very thin line between the creative process and the healing process when one goes through pain and agony. Simret Singh has penned down her feelings very sincerely.
Our regular feature, ‘In Conversation’ has covered a renowned artist Navin Talwar whose photographs speak convincingly. In this article, he shares his vast and rich experience to give tips to the younger generation.
This issue has enriched itself with the information on the art of Kalamkari. Painting on the wooden panels was done in the past and even today.
Picasso very appropriately said, ‘Art washes away from the soul the dust of everyday life’. Believing in this let us continue with our endeavours in such challenging times and look forward to a brighter tomorrow.

Goldy Malhotra

Online tasks are annoyingly becoming our lifestyle. There had been a notion that the Artist community is not so tech savvy but necessity has proven to be the mother of invention and today artists are not only connecting with the society through new techniques but also creating and exhibiting with the help of this 21st-century gift to the civilization.
An outlet of expression if not transformed into Art by the creator, can suffocate and make existence miserable in times like these when we are compelled to maintain social distance to stay alive.
No Boundaries is brief coverage of the sculptures and paintings exhibited in Kolkata. Academy of Fine Arts, Kolkata as always, has played a very prominent role by showcasing the old masters' works that have enriched our culture and heritage.
Isolating in their own hubs has given an opportunity to senior writers, art historians and teachers to dig into their old treasures and sift out some nuggets to be shared with the readers. D.S. Kapoor has very laboriously researched and presented his article on The 64 Kalas- Chatuhsashti Kala that throws light on all the arts as per our old texts.
Articles on Kala Sutra, Jharokha by Smita Jain, and exhibition of paintings and photographs have made this issue rich with creativity and given us a hope that optimism always guides us to climb higher no matter what the circumstances be.
Another offbeat article on ‘Visual Art and Music is one of its kind and this so called ‘Tango’ has once again proven that all arts at the higher level unite and complement each other.
Future is always seen through the lens that gives a clear picture of upcoming, budding artists and in this issue, you come to know to appreciate the efforts of multifaceted Mauraya Sharma- a very young filmmaker and theatre artist.
We are fighting fit to carry on and let us hope the next issue brings with it the colours of joy and victory over wretched Corona.

Schools and school education have always been matter of great concern. The foundations of learning, grooming and career options are all laid in the school and for the past one year, parents, teachers and students have gone through a great turmoil due to the pandemic. On top of that the new National Education Policy (NEP) has raised many questions in the minds of parents. The long-awaited new changes are making us optimistic to hope that the integration of Arts in other subjects will not only open the minds of our children but also showcase our rich cultural heritage for the younger generation to learn from. To know about the implications of new teaching methodology and many related issues, I decided to chat with Dr Jyoti Bose who is already a strong believer of giving due importance to Art in Education. 'In conversation' has covered it and has offered many solutions to today's teachers. Prof. D S Kapoor has always shared his knowledge on Art Education at the higher level.
Our coverage on Art shows has given ample opportunity to the already established as well as younger artists to show their works to the public and get recognition at different levels
In creation of any piece of art, material and medium play an equally important role as the theme or style. A responsible artist is always choosy of material because that determines the quality and durability. Pooja Gupta has elaborated her findings on use of linseed oil. 
Joyita Basak takes you along to show an impressive display of Bengal Art in a museum in Dalhousie in her article-Ami Kolkata museum. Art Observer giving due importance to the traditional and Folk arts of India has covered Gond Art in this issue.
Taking you down the memory lane is -A tribute to Jagmohan Chopra, former Principal, College of Arts Chandigarh.
Our contributor, Alka Chadha Harpalani has elaborated the participation of committed artists in a workshop. The variety of styles and themes is beautifully woven with the green surroundings.

Without dampening their spirits, ready to face any situation and work ceaselessly, the artists have been fighting fit. The virtual shows, conferences and workshops have given another angle to today's showbiz. 'Art Observer' has interacted with many artists, art-teachers, writers and students who are working hard to overcome all the hurdles and keep the flag of creativity high.
It was a matter of great pride for all the artists and well wishers of Roop Chand to attend an informal award giving ceremony at the National Art Centre, Gurgaon when the senior artist was personally awarded by Dr. Sanjay Gupta, the Vice Chancellor of World University of Design.
An article on Victoria Memorial will take you along to witness the heritage of our country. Such masterpieces of the past always make us proud and throw light on the dedication of creators.
Professor D. S. Kapoor's detailed information on the prestigious institutions of design can help many aspiring students to find their track. His information on Art Colleges, provided in the July issue was highly commended. We Hope this article proves to be equally helpful if not more.
Artists' imagination can take any direction and why not! Yes, using coffee as a medium for painting and painting wet fabrics to add to the value and style of fashion are two interesting features covered in this issue.
The gallery-hopping to cover the shows has been a regular ritual for us and we have done full justice to the shows this time as well. Crossword on Art by Pooja Gupta is a brain tickler and adds to the knowledge of many.
Enjoy reading this issue. Wishing you all easier and safer times ahead.

Goldy Malhotra

COVID 19 has put everything out of gear and what was never imagined before has appeared in front of us as a giant. Artist community has not been spared. Artists being super-sensitive, having bare nerves deal with life in their own unique manner. This issue of Art Observer has covered that largely. Art is Life shares viewing experience of many galleries and collaboration with museums overseas bringing eminent personalities in forefront.
Rajesh Sarovar artist has studied the human struggle for existence in his own larger than life display infused with colours. An article on his work is a story of artist's journey as well.
We share with you how the works of nine Bangladeshi artists launched by The Durjay Bangladesh Foundation have not only gone global but also share role of the art in dispelling the fear and anxiety in uncertain times.
Art Observer has displayed the unique embroideries of Anuradha Bhaumik as well as the classical art of Tanjore painting with details on themes and techniques.
Michelle Poonawala's show at Tao Art Gallery, Mumbai was the first post COVID exhibition covered by Subhra Majumdar in this issue. Both online and physical visit have added importance to the show.
We have already covered the visual and performing arts in our previous issues. Architecture cannot be left out being a most important amalgamation of all arts resting on strong foundation of Science and Mathematics. In Conversation with the Progressive Architect, we have covered the achievements of an eminent, internationally acclaimed and most humble architect-Dikshu Kukreja.
Collage-making is an art based on different kind of thought process that emphasises putting bits and pieces in order to create something, a very therapeutic aesthetic endeavour indeed!  Alka Chadha Harpalani's article gives details of such efforts put in by some artists during the lockdown.
Wish you all better time in the coming year. Hope to see the art activity soaring high with happiness around.

The COVID-19 pandemic has necessitated a rethinking of our work schedules. The uncertainty of things happening has added to the panic that is making it difficult to lead a normal life. An artist already known to be super sensitive needs to save his raw nerves more cautiously. No wonder most of the artists are diverting all their energy to creativity. We are receiving the pictures of amazingly wonderful works done by artists from different parts of India. Understanding well that it is not possible to exhibit the works in galleries in such difficult days, we at Art Observer believe in giving full moral support to the artists to keep them going. For many it has become almost therapeutic and we appreciate the outpour that is honest, brilliant and vibrant. Art works of some artists are full of expression and style of execution. Falguni without being symbolic or philosophical, has dealt with the contemporary theme very directly that is as good as recording in a diary. Readers are sure to enjoy the diversity of styles in all these works by the artists.
Dr D S Kapoor, an eminent artist and educationist has very laboriously guided the young generation to understand the prospects of fields related to Arts. He has not only given the history of prestigious Art institutions but also dealt with the details of curriculum offered to the students. Many will be able to get the answers to questions resting in their heads.
Indian culture boasts of its Folk Arts and crafts. The articles on Kalamkari and Mithila painting show the diversity in our rich tradition.
Simret Singh has gone deep into the psychological and philosophical convictions that deal with the signs and symbols in paintings. Readers interested in Art history and meaning of Art will certainly nod their heads and agree with the author while reading the examples explaining her point of view.
Hoping to enrich the pages of Art Observer with colour and content in future as well. Till then, look after yourself.

Goldy Malhotra

There is a very thin line between the Visual Arts and the Performing Arts. In fact, these arts complement each other and are well integrated. This issue presents an exceptionally talented, classical dancer, the creator of Sufi Kathak, Manjari Chaturvedi. 'In the Conversation', this artist shares how her struggle to achieve her goal made her realise that 'it is good to have an end to journey towards; but it is the journey that matters in the end'. Readers will enjoy to read about the synthesis of grace, calm and sensuality.
Mother nature's palette is a rich source of inspiration for any artist. When a colour dominates in the imagination of a creator, it's bound to reappear on the canvas and envelope the viewer. An article 'Plants on Canvases' by Pooja Gupta is all about the nature's beauty mingling with the colours.
What lies in a title is an in-depth study of thematic content of any piece of art by Simret Singh.
’Rang Matir Pachali’ is another article that takes us on a trip to an unusual exhibition during these days of lockdown.
Shanker Art Foundation's deep concern for the creativity among children has encouraged a huge participation of young ones in working on collages for a competition. Alka Chadha Harpalani has studied these Collage entries and shared her comments.
In our previous issue, we had covered the exhibition of 200 masks painted by artists from different parts of India. The thematic and stylistic analysis of some of these masks has made it possible to reveal what lies beneath the mask. It's a study of artist's thought process and the technique.
It all starts with a state of mind and during these days filled with anxiety and boredom, we are compelled to go back to our childhood and share the experience of past with children by engaging in some indoor games like Ludo and Snakes & Ladders. On the same lines, Prof. D. S. Kapoor's creation of highly educative game is shared with you to have fun and spread the message of awareness.

Now that Corona does not seem to be leaving us that soon, the life style of most of us has changed. Already restricted movement has compelled everyone to look within and utilise the time for creativity.
We are getting good response from many artists who are able to devote more time to their art and share with us.
Our experienced contributors are giving details on art forms, trends and the psychology of artist behind.
Sitting at home you can enjoy the history and visuals of some rare museums and galleries. Article on  Thakur Bari will take you to the times when talented members of Tagore family made it part of Art history.
A write up on the ultimate artist Roop Chand mentions his vast and varied works, his humanism that speaks of his multifaceted genius. A journey that was not easy but has no regrets.
Enjoy reading.

The opening article of this issue is a tribute to Satish Gujral, a legend whose life was not a normal journey but he set milestones of destination at every bend of road. There can never be another artist like him, an institution in himself.
The 'Real' in painting - an essay deals with thematic and stylistic presentations following norms of art principles understanding artists's imaginative consciousness.
'Ghare Baire' an exceptional Art Museum in Kolkata is a real treat to be shared with the readers and so is the Sweden's TellusArt Residency at a village in Uttarakhand.
'WOW (white on white) show' forcefully displays mono colour challenges expressing less is more. In Suryastnata Mohanty's words there is the possibility of seeing all colours in white. It takes us closer to Physics dealing with light.
In these trying times, Corona warriors are doing their best to make the country Corona free. The lockdown period has not been easy for anyone, but artists sometimes give their best under stress. Here, we share some of the works of artists from different cities who are working in the grip of Corona and talk about their creativity and experiences. Another article on Child Art also mentions the art activity as a great stress buster for children during this period of social distancing.
Creativity can never be locked, art is flowing from all directions. Paintings, collages, sculptures and articles on art are being shared like never before. Planning for post lockdown is also in full swing as many galleries have already prepared their calendars, waiting for the world to start normal life. It's another matter that the 'normal' will never be the normal life. We shall carry the heavy load of unprecedented phase on our shoulders for lifetime. This will definitely show in the works of artists to become part of Art History.
Hope to share our next issue in better times.

Art Observer is dedicated to the wide spectrum of visual and performing arts.Efforts have been to share and showcase aesthetically appealing creations to all the ‘rasiks’. This journal is also a platform for the aspiring and talented artists to reveal their works and express their views.
This issue has covered some prestigious, innovative and inspiring exhibitions that have made a mark. The National Kala Mela 2020 held at Lalit Kala Akademi, New Delhi, exhibition of renowned artists at Sanchit Art, New Delhi, An unusual exhibition of thread work -  ‘Bakhiya’ that has symbolised the Sufi meditative activity compels us to look within and start embracing imperfection in day to day life. Breathtakingly beautiful and candid works of Idris are revealing the dedication of a photographer trying to freeze the images in time. Mahmood Ahmad’s transformation from vibrant landscapes in acrylic to drawings of female form in black and white is stunning indeed.
One always likes to read about the great masters and learn from their experiences on their path of achievements. When it comes from a son the old memories become pure reverence. It definitely takes us closer to the artist to understand his paintings better particularly when they are on mystical themes.
Shabir Hussain talks about his father the legend- G R Santosh ’in the conversation’.
On similar lines, D S Kapoor’s article on Sardari Lal Parasher  a renowned artist is full of nostalgia.
We stand committed to share views on child art and this issue throws light on ‘Decoding the Child Art’ that can help many teachers to understand a child’s mind better.
One cannot miss the  coverage  on an iconic art object, the Gujral Foundation’s presentation, a unique step in the field of art-The Song  of Earth and Sky.
It may be a travelogue or understanding of abstraction in art, these articles are here to enjoy and ponder upon awhile.

If India is one of the youngest nations as per number of youngsters in population, let us not ignore the number of creative young minds and hands all set to express. No wonder art galleries are mushrooming all over, particularly in the bigger cities. Many art lovers are not gallery hoppers and we feel, Art that is well presented is better enjoyed and it must reach the true 'Rasik'. Art Observer is one such step in the same direction.
We feature a potpourri of art, artists from past and present, art patrons and art institutions that have created history.
Our gallery-trotting contributors have covered The India Art Fair 2020, India-Bangladesh Printmaking Exhibition, Art Fair Spain and many new and notable works, exhibitions and events.
One of the oldest art galleries in Delhi- Dhoomimal has its own rich history that Mohit Jain has shared in conversation. Old masters' works have a lot to inspire, be it Joan Miró's sparks on canvas or Swaminathan's spiritual journey through colour and canvas.
An ancient Institution with glorious heritage has been well worded by D S Kapoor.
In this promising year 2020, we can't ignore the younger generation and feel highly responsible to make sure that they are given the right guidance, direction and above all freedom of expression. Child Art will always be of special concern for us.
I hope that this issue inspires you to join us in this exercise of art appreciation.
Welcome to our introductory issue of Art Observer !

Art Observer  Cover - February 2022 Edition

February 2022

Art Observer  - February 2022

Art Observer  Cover - December 2021 Edition

December 2021

Art Observer  - December 2021

Art Observer  Cover - October 2021 Edition

October 2021

Art Observer  - October 2021

Art Observer  Cover - August 2021 Edition

August 2021

Art Observer  - August 2021

July 2021

Art Observer  - July 2021

April 2021

Art Observer  - April 2021

March 2021

Art Observer  - March 2021

Art Observer  Cover - January 2021 Edition

January 2021

Art Observer  - January 2021

Art Observer  Cover - December 2020 Edition

December 2020

Art Observer  - December 2020

July 2020

Art Observer  - July 2020

June 2020

Art Observer  - June 2020

May 2020

Art Observer  - May 2020

April 2020

Art Observer  - April 2020

March 2020

Art Observer  - March 2020

Art Observer  Cover - February 2020 Edition

February 2020

Art Observer  - February 2020

If India is one of the youngest nations as per number of youngsters in population, let us not ignore the number of creative young minds and hands all set to express. No wonder art galleries are mushrooming all over, particularly in the bigger cities. Many art lovers are not gallery hoppers and we feel, Art that is well presented is better enjoyed and it must reach the true 'Rasik'. Art Observer is one such step in the same direction.

1. Du godtar at bruken av Magzter.com, applikasjonen og dens tjenester er på egen risiko. Verken Magzter.com eller dets samarbeidspartnere eller ansatte eller tredjeparts innholdsleverandører garanterer at tjenesten vil være fullstendig uavbrutt eller feilfri eller vanntett mot ondsinnede aktiviteter. De garanterer heller ikke at du vil få de nøyaktige resultatene som forventet eller lovet av nettstedet eller produktet.

11. TJENESTEN OG ALLE PUBLIKASJONER LEVERES PÅ EN «SOM DEN ER»- OG «SOM TILGJENGELIG»-BASIS. MAGZTER, DETS TILKNYTTEDE SELSKAPER, LEVERANDØRER, LISENSGIVERE OG AGENTER FRASKRIVER SEG UTTRYKKELIG ALLE GARANTIER AV ENHVER SLAG, ENTEN UTTRYKKELIGE ELLER IMPLISITTE, INKLUDERT MEN IKKE BEGRENSET TIL DE IMPLISITTE SELGERGARANTIENE, EGNETHET FOR SPESIFIKKE FORMÅL OG IKKE-KRENKELSE. UTEN Å BEGRENSE DET OVENNEVNTE GARANTERER VERKEN MAGZTER ELLER DETS TILKNYTTEDE SELSKAPER, LEVERANDØRER, LISENSGIVERE ELLER AGENTER AT (I) TJENESTEN VIL INNFRI DINE KRAV, (II) TJENESTEN VIL VÆRE UFORSTYRRET, RETTIDIG, SIKKER ELLER FEILFRI (III) INFORMASJONEN SOM KAN FÅS FRA BRUKEN AV TJENESTEN ELLER SOM KAN VÆRE I PUBLIKASJONENE VIL VÆRE NØYAKTIG ELLER PÅLITELIG, ELLER (IV) KVALITETEN PÅ EVENTUELLE PUBLIKASJONER ELLER TJENESTEN VIL INNFRI DINE FORVENTNINGER. DU ER ALENE ANSVARLIG FOR Å SKAFFE OG VEDLIKEHOLDE EN PÅLITELIG INTERNETTILKOBLING OG ENHETEN DIN. MAGZTER ER IKKE ANSVARLIG FOR DIN MANGLENDE EVNE TIL Å LASTE NED INNHOLD. ALT MATERIALE SOM LASTES NED ELLER PÅ ANNEN MÅTE FÅS VIA BRUK AV TJENESTEN, GJØRES PÅ DITT EGET ANSVAR OG DIN EGEN RISIKO, OG DU STÅR ALENE ANSVARLIG FOR EVENTUELLE SKADER PÅ DITT DATASYSTEM ELLER DIN MOBILE ENHET ELLER TAP AV DATA SOM OPPSTÅR FRA NEDLASTING AV SLIKT MATERIALE. INGEN RÅD ELLER INFORMASJON, VERKEN MUNTLIG ELLER SKRIFTLIG, FÅTT AV DEG FRA MAGZTER ELLER VIA ELLER FRA TJENESTEN SKAL UTGJØRE NOEN FORM FOR GARANTI.

2. Du skal vedlikeholde og umiddelbart oppdatere denne informasjonen for å holde den sann, nøyaktig, oppdatert og fullstendig. Du er ansvarlig for å opprettholde konfidensialiteten til kontoen din og passordet ditt, for å begrense tilgangen til datamaskinen din, og du godtar ansvaret for all aktivitet som skjer på kontoen din, inkludert valg og bruk av alt innhold og tjenester.

3. Under ingen omstendigheter vil Magzter.com eller noen person eller enhet eller tredjepart som er involvert i opprettelsen, produksjonen og distribusjonen av innholdet på nettstedet og applikasjonen være ansvarlig i kontrakt eller juridisk for eventuelle skader, inkludert og ikke begrenset til, direkte, indirekte, vilkårlige, spesielle og følgevirkninger som påføres deg mens du bruker Magzter.com. Ved å registrere deg på nettsiden eller laste ned applikasjonen godtar du at bestemmelsene nevnt i denne delen skal gjelde for all bruk av og innhold på nettsiden og applikasjonen.

3. Uten skriftlig eller autorisert tillatelse fra Magzter på forhånd, må du ikke modifisere, kopiere, distribuere eller selge noe innhold hentet fra Magzter, for alt publisert her tilhører Magzter eller dets lisensgivere. Siden slik uautorisert bruk også kan bryte gjeldende lovverk, inkludert lover om opphavsrett og varemerker, forbyr Magzter dette på det sterkeste og vil avslutte tilgangen din og slette kontoen din hvis slik ulovlig aktivitet blir bevist eller oppdaget. Du blir også holdt ansvarlig for skader forårsaket av disse uautoriserte aktivitetene. Med unntak av det som er tillatt av utgivelsens lovlige eier, erkjenner du at du ikke får noen eierskapsrettigheter ved å laste ned utgivelser som du får tilgang til via tjenesten. Med unntak av det som er eksplisitt påkrevd i henhold til lov om opphavsrett eller tillatt av funksjonene i tjenesten, kan du ikke modifisere, reversere, publisere, overføre, vise, delta i overføringen eller salget av, lage avledede verk av, eller på noen måte kommersielt utnytte eller levere innholdet i appen, utgivelsene eller deler av dem til en tredjepart uten uttrykkelig tillatelse fra Magzter og eieren av slikt innhold. Vi gir deg ingen lisenser, uttrykt eller implisitt, for de immaterielle eiendelene til Magzter eller Magzters lisensgivere.

5. Du erkjenner spesifikt at Magzter.com ikke er ansvarlig for noen form for ærekrenkende eller støtende eller ulovlig oppførsel fra andre brukere eller tredjeparter eller deres innhold, og at risikoen for skade fra det ovennevnte ligger helt hos deg.

8. Magzter forbeholder seg alle rettigheter til å overvåke innholdet som publiseres og legges inn av deg for å avgjøre om du er i samsvar med disse vilkårene og betingelsene og andre driftsregler fastsatt av Magzter. Magzter har rett til å ta beslutninger om innholdet og slette dem etter eget forgodtbefinnende.

9. Magzter er distributør og IKKE utgiver av publikasjonene, og Magzter har derfor ingen redaksjonell kontroll over innholdet, inkludert meninger, råd, uttalelser, tjenester, tilbud osv., som er representert i magasinene. Magzter vil ikke ta ansvar for nøyaktigheten eller påliteligheten for informasjon eller fakta gitt deri eller som er gjort tilgjengelig gjennom tjenesten, av andre enn autoriserte Magzter-ansatte som handler i henhold til deres offisielle embete. Følgelig har vi ingen redaksjonell kontroll over publikasjonene. Eventuelle meninger, råd, uttalelser, tjenester, tilbud eller annen informasjon eller innhold uttrykt eller gjort tilgjengelig av tredjeparter, inkludert de som er gjort i publikasjoner som tilbys av tjenesten, tilhører sine respektive forfattere eller utgivere og ikke Magzter. Magzter vil ikke være ansvarlig for tap eller skade forårsaket av at du stoler på informasjon innhentet gjennom tjenesten eller fra publikasjonene. Tjenesten kan inneholde koblinger til andre internettsider og tredjepartsressurser, og Magzter påtar seg ikke noe ansvar for kommunikasjon eller materiale som er tilgjengelig på slike nettsteder via koblinger. Disse koblingene er kun for din bekvemmelighet. Du er alene ansvarlig for å forstå eventuelle vilkår og betingelser som kan gjelde når du besøker eller legger inn en bestilling gjennom en tredjepartsside.

Detaljer om det støtende innholdet, inkludert koblingen dens på plattformen vår

Last ned favorittitlene dine og les dem offline, når og hvor som helst

Gi dine kjære et Magzter-gavekort umiddelbart og gi dem friheten til å lese favorittmagasinene og -avisene sine fra tusenvis av bestselgende titler.

Gi dine kjære et Magzter-gavekort umiddelbart og gi dem friheten til å lese favorittmagasinene sine fra tusenvis av bestselgende titler.

Gi dine kjære et Magzter-gavekort umiddelbart og gi dem friheten til å lese favorittmagasinene sine blant {{magCount}} bestselgende internasjonale titler.

Girish Ramdas er medgründer og administrerende direktør for Magzter, en New York-basert oppstartsbedrift som har laget oppstyr i den globale digitale publiseringsvirksomheten. Magzter har nådd 80 millioner brukere siden oppstarten i 2011 fra mer enn 150+ land med tusenvis av magasiner, aviser og bøker fra mer enn 4500 utgivere over hele verden. Han har mer enn 25 års erfaring innen publisering på tvers av plattformer, inkludert trykk-, mobil- og webutvikling. I løpet av denne perioden har han vært med å grunnlegge og drive tre vellykkede oppstartsbedrifter. Han har gjort det mulig for magasinbedrifter å bli digitale og hjelper dem med å tjene penger på innholdet i den digitale verden. Girish' omfattende bransjeerfaring innen nett-, mobil- og publiseringsøkosystemer har gjort ham til en ekspert på anskaffelse, markedsføring og inntektsgenerering av digitalt innhold på tvers av globale plattformer.

I tilfelle du kommer over støtende innhold på plattformen vår, har vi innført retningslinjer for klagehåndtering for å behandle henvendelsene dine.

Magzter Inc. («bedrift», «vi», «oss» eller «vår/våre») vet at du bryr deg om hvordan personopplysningene dine brukes og deles. Les følgende personvernregler («retningslinjer») for å lære mer om personvernpraksisen vår. Ved å besøke noen av nettstedene som drives av selskapet, og eventuelle underdomener derav, eller ved å bruke noen av våre mobilapper og andre metoder for innholdsdistribusjon (samlet omtalt som «tjeneste»), erkjenner du at du godtar praksisen og retningslinjene skissert i disse retningslinjene, og du samtykker herved til at vi samler inn, bruker og deler informasjonen din på følgende måter.

Magzter Inc. er verdens største og raskest voksende selvbetjente digitale aviskiosk på tvers av plattformer med over 80 millioner brukere siden oppstarten i 2011 og med tusenvis av magasiner og aviser på tvers av 40+ kategorier og 60+ språk. Med hovedkontor i New York, har Magzter lokal tilstedeværelse i Amsterdam, London, Mexico by, Chennai, Mumbai, New Delhi, Bengaluru og Singapore, og vi vil snart utvide til andre land. Magzter ble grunnlagt av de globale entreprenørene Girish Ramdas og Vijay Radhakrishnan i juni 2011, og gjør det mulig for magasin- og avisutgivere over hele verden å lage og levere digitale utgaver av titlene deres for globale forbrukere.

Magzter er forpliktet til å tilby en trygg og sikker plattform til våre brukere. Vær oppmerksom på at Magzter bare er en plattform der utgivere kan distribuere innholdet sitt. Vi kontrollerer eller støtter ikke innholdet som publiseres på plattformen vår. Vi kan ikke holdes ansvarlige for handlingene til våre utgivere eller deres innhold.

Magzter er ikke ansvarlig for å kompensere noen part som har lidd skade eller pådratt seg kostnader på grunn av innhold, eller deler av innholdet, som krenker deres rettigheter. Magzter er ikke ansvarlig for noen rettslige skritt i sivilrett for brudd på rettigheter forårsaket av innhold, eller deler av innholdet, som krenker rettighetene til en tredjepart.

Magzter tilbyr verdens største {{allyoucanread}} abonnementstjeneste kalt {{gold}}, som gir digitale lesere ubegrenset tilgang til 9000+ magasiner og aviser for en månedlig abonnementspris. Magzter har også det største antallet historier i verden med sin revolusjonerende ezRead 2.0-funksjon for appene sine, som lar smarttelefon- og mobilbrukere med små skjermer nyte magasininnhold slik det var ment å bli lest, med artikkeltekst som er lett å lese og med fantastiske videoer og bilder i høy oppløsning.

Magzter tilbyr verdens største «alt du kan lese»-abonnementstjeneste kalt Magzter GOLD som gir digitale lesere ubegrenset tilgang til 9000+ magasiner og aviser for en månedlig abonnementspris. Magzter har også verdens største antall historier revolusjonerende ezRead 2.0-funksjon for appene sine, som gjør det mulig for smarttelefonbrukere og mobilbrukere med små skjermer å nyte magasininnhold, med artikkeltekst som er lett å lese og ledsages av fantastiske videoer og bilder i høy oppløsning.

Navn

Merk: Dette vil bare dele omslaget og utgivelsesinformasjonen, men ikke innholdet.

Fyll ut dette skjemaet hvis du trenger hjelp til å publisere innholdet ditt på Magzter

Før Magzter var han president for Dot Com Infoway (DCI) og Galatta Media. Hans oppgaver inkluderte strategisk markedsføring, partnerskapsutvikling og inntektsgenerering av innhold globalt. DCI vokste fra et lite team på 3 i 2000 til 300 innen 2011 og drev med utvikling av web, programvare og apper for kunder over hele verden.

Siden vi lanserte har Magzter vært forpliktet til å samarbeide med globale organisasjoner for å tilby best mulig aviskiosk-teknologi og -service til kundene våre. Enten du ønsker å tilby magasinabonnement til kundedatabasen din eller bare ønsker å finne ut mer, er Magzter forpliktet til å hjelpe bedriften din å vokse. For å finne ut mer fyll ut spørreskjemaet nedenfor:

DMCA tillater oss å gjenopprette det fjernede innholdet hvis parten som sender inn det opprinnelige DMCA-varselet ikke går til rettssak mot deg innen ti virkedager etter å ha mottatt kopien av innsigelsen din.

Disse retningslinjene dekker selskapets behandling av personopplysninger («personopplysninger») og annen informasjon om deg og din datamaskin eller enhet som selskapet samler inn når du får tilgang til tjenesten. Vi kan samle inn personopplysninger fra deg, som forklart mer detaljert nedenfor, og vi bruker disse personopplysningene internt i forbindelse med tjenestene våre, inkludert for å tilpasse, tilby og forbedre våre produkter, tjenester, innhold og annonser, og for å tillate deg å sette opp en brukerkonto og profil, for å kontakte deg, for å oppfylle dine forespørsler om visse produkter og tjenester, og for å analysere hvordan du bruker tjenestene. I visse tilfeller kan vi også dele noen personopplysninger med tredjeparter, men bare som beskrevet i punkt 4.

Denne tittelen er inkludert i Magzter GOLD-abonnementet ditt

For å analysere kvaliteten på innholdet og gi passende tilbakemeldinger til utgivere

Vi har utpekt en klageansvarlig for å behandle eventuelle klager knyttet til støtende innhold.

Vi ber om at enhver klage relatert til støtende innhold sendes til klageansvarlig via e-post til den ovennevnte e-postadressen. Vi ber også om at du oppgir følgende detaljer når du sender inn en klage:

og appen som gir deg muligheten til å bestille, abonnere og motta levering av ulike magasiner, bøker, nyheter og magasin- og publikasjonsrelatert innhold (samlet kjent som «publikasjoner») og få disse digitale versjonene av publikasjonene levert til deg

c. Vi samler også inn informasjon knyttet til din bruk av applikasjonen for å gi personlige anbefalinger. Hvis du oppgir din brukertilgangen for tredjepartskontoer til oss, forstår du at noe innhold og/eller informasjon i disse kontoene («tredjeparts-kontoinformasjon») kan overføres til kontoen din hos oss hvis du godkjenner slike overføringer, og at tredjeparts-kontoinformasjon som sendes til tjenesten, dekkes av disse retningslinjene.

f. Med personopplysningene vi samler inn kan vi svare på dine forespørsler, forbedre produktene og tjenestene våre, tilpasse annonsene og innholdet du ser, og kommunisere med deg om nye produkter.

er verdens største og raskest voksende, selvbetjente digitale aviskiosk på tvers av plattformer med over 88 millioner brukere siden oppstarten i 2011 og tusenvis av magasiner og aviser på tvers av 40+ kategorier og 60+ språk. Med hovedkontor i New York, har Magzter sin lokale tilstedeværelse i Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, og vil snart utvide til andre land. Magzter ble grunnlagt av de globale gründerne Girish Ramdas og Vijay Radhakrishnan i juni 2011, og gjør det mulig for magasin- og avisutgivere over hele verden å lage og levere digitale utgaver av titlene deres til globale forbrukere.

n. Vi vil også bruke bruksinformasjon for å sikre at brukerne overholder våre bruksvilkår. For eksempel vil en brukers bruksinformasjon hjelpe oss med å bekrefte at en bruker bare laster ned magasiner eller annet innhold det tillatte antallet ganger eller til det tillatte antallet enheter.

som gir digitale lesere ubegrenset tilgang til 9000+ magasiner og aviser for en månedlig abonnementspris. Magzter har også det største antallet historier i verden med sin revolusjonerende ezRead 2.0-funksjon for appene sine, som lar smarttelefon- og mobilbrukere med små skjermer nyte magasininnhold slik det var ment å bli lest, med artikkeltekst som er lett å lese og med fantastiske videoer og bilder i høy oppløsning.

{{magzter}} er verdens største og raskest voksende, selvbetjente digitale aviskiosk på tvers av plattformer med over 88 millioner brukere siden oppstarten i 2011 og tusenvis av magasiner og aviser på tvers av 40+ kategorier og 60+ språk. Med hovedkontor i New York, har Magzter sin lokale tilstedeværelse i Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, og vil snart utvide til andre land. Magzter ble grunnlagt av de globale entreprenørene Girish Ramdas og Vijay Radhakrishnan i juni 2011, og gjør det mulig for magasin- og avisutgivere over hele verden å lage og levere digitale utgaver av titlene deres til globale forbrukere.

Art Observer - February 2022

Art Observer - February 2022

I denne utgaven

Art Observer Magazine Description: