Inspired by meteorologist and astronomer James Glaisher and aeronaut Henry Coxwell breaking the world flight altitude record in 1862 by soaring to 36,000 feet in a coal gas filled balloon, screenwriter Jack Thorne (His Dark Materials) collaborated with filmmaker Tom Harper (Wild Rose) and Amazon Studios to make The Aeronauts, starring Eddie Redmayne and Felicity Jones. With over 80 per cent of the action taking place above England under various weather conditions, visual effects had a pivotal role to play in making the biographical adventure film a cinematic reality. Overseeing the CG contributions of Framestore, Rodeo FX and Alchemy 24 was production visual effects supervisor Louis Morin (Arrival), while the physical builds were the responsibility of co-production designers Christian Huband (Justice League) and David Hindle (Bohemian Rhapsody).
“The one image that sticks in my mind when it comes to the sky was a print that was used in the book about the balloon journey that was done by Glaisher, and it was a stylised print that had The Mammoth above the clouds along with shooting stars,” recalls Huband. “This was a provocative, beautiful thing, slightly fanciful because I don’t think at 37,000 feet you can generally see the stars unless it’s at the end of the day or night. The decision to show the stars was something that has a certain theatricality which feeds into the story and performances. We did a sky chart, which was a graphic representation of what altitude they’re at and the time from the butterfly scene to the snow and ice scene. In the end, you send a helicopter up, which they did over South Africa, Louisiana and in different parts of the world, to film plates and you have to work with what you get.”
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CGI creatures
Leading film creatives pick the VFX animals that have inspired them
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The digital matte painting team at Goodbye Kansas Studios embrace a collaborative approach for the environments in Disney's miniseries
FaceBuilder
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Mars 4 Ultra
Elegoo has created quite the name for itself within the 3D printing community, with a loyal band of users singing the praises of its machines from the Mars range to the Saturn series, and also the quality of its resins.
Revodok Max 213
Although a new computer or the latest GPU are the obvious contenders for your cash, there are things that will offer big benefits even if they don’t have the same initial appeal, and a good dock is one of these.
DESIGN CHARACTERS INSPIRED BY HISTORY
Marco Teixeira explores a personal piece that resonates with Brazilian culture and influences to create an appealing portrait
HOW DO I MASTER MATERIALS IN KEYSHOT?
One of the best things about KeyShot is its ability to create and render realistic materials. When paired with beautiful lighting, product visualisations take on a whole new level of believability. When it comes to materials, KeyShot isn’t quite as advanced as some other rendering packages, but that doesn’t mean it isn’t still able to create some killer materials.
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This issue’s Q&A is a real sweet treat, as I’m going to show you how to prepare a realistic jelly material in Blender – you’ll have to provide the strawberries and cream yourself though! This is a relatively straightforward procedural recipe and can be done in three quick minutes.
CRAFT UNIQUE MARIO FAN ART WITH A TEAM
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BLEND BUILDINGS AND NATURE IN A PEACEFUL SCENE
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