in her 2013 series The Aunties Project, a collection of nude oil paintings starring a group of older women—affectionately nicknamed “the aunties”—in all of their highly detailed glory.
“They’re more than just my mom’s friends,” she says of the aunties, who make an appearance in her latest body of work. “They are particularly incredible people. They are much more comfortable in their bodies than many people are in our society.”
By placing her subjects out in the elements, the artist juxtaposes their soft flesh against the hard contours of cliffs and rocky surfaces. Real, raw and unfiltered, the works are a celebration of what it means to be human. Chapin shows that there is beauty in every crease, every wrinkle and every edge. Hence the title for her upcoming show, What Happens at the Edge, on view this fall at Flowers Gallery’s New York location.
“Since winning the U.K.’s esteemed National Portrait Gallery BP Portrait Award in 2012, Aleah Chapin’s nude portraits have continued to provoke and inspire audiences with their portrayal of joyful resistance, energy and strength,” says gallery owner Matthew Flowers. “Her new work in What Happens at the Edge broadens the debate around the visibility of aging or so-called imperfect bodies in images of everyday life.”
Denne historien er fra October 2019-utgaven av American Art Collector.
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Denne historien er fra October 2019-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.