The figurative paintings of Katie O’Hagan explore the depths of human emotions. She is not afraid to touch on vulnerabilities and strengths, fears and adulations. The artwork is complex, yet relatable, which allows viewers to play an active role in the narrative by finding their own story within her on her imagery. December 3 through January 4, RJD Gallery in Bridgehampton, New York, will present the exhibition Katie O’Hagan: Unbreakable, highlighting some of her newest paintings alongside a few past compositions.
O’Hagan, who was born in Scotland and moved to the U.S. at age 21, often pulls ideas from her imagination, phobias and experiences. However, there isn’t a set intention when she paints. The ideas percolate in her head and evolve as she paints. “[My paintings] all usually end up having a narrative. It’s something that’s very organic. I don’t sit and think of the narrative and how to portray it,” she elaborates. “What happens more is an image will pop in my head. I’ll be zoning out and have a face in my mind, or I’ll be 4 miles into a run, and as my brain switches off, the space opens up for images to drift in. It really starts with an image and it’s just something that nags in my mind and one of them will catch and usually the narrative comes afterward.”
Denne historien er fra December 2020-utgaven av American Art Collector.
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Denne historien er fra December 2020-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.