Carl Jung (1875-1961), the founder of analytical psychology, wrote, “One doesn’t become enlightened by imagining figures of light but by making the darkness conscious.”
Mario Robinson doesn’t paint “pretty pictures.” He paints what we see and what we don’t see. His watercolors of family and friends as well as scenes near his home on the Jersey Shore and his childhood home in Oklahoma make the darkness conscious.
He quotes Andrew Wyeth, who wrote, “I think one’s art goes as far and as deep as one’s love goes. I see no reason for painting but that. If I have anything to offer, it is my emotional contact with the place where I live and the people I do.”
Robinson’s love for the people and places he paints goes deep. He acknowledges the dark side of Wyeth and observes, “the darkness isn’t a device. It’s the real underbelly of life.” He discovered Wyeth in a print of his painting Master Bedroom. Fascinated, he “spent all day in the reference room of the library checking him out. I hadn’t seen his portraits until then. I pored through big books on Wyeth and became enamored with the freedom and the flow of his watercolors. I had been working in pastel because I had heard how difficult watercolor is. In 2001 I finally sat down and tried it.”
Denne historien er fra September 2018-utgaven av American Art Collector.
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Denne historien er fra September 2018-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
