An astute eye enhanced by knowledge from dealers has helped this collector hone his dynamic and diverse collection.
For a collector to combine paintings by Fairfield Porter, Jules Olitski and Paul Wiesenfeld in one room and to commission V’Soske, through his decorator, to produce a rug in the precise celery green to hold it all together takes a certain kind of genius, which our collector denies he has. He attributes his skill to learning from the best dealers in the country, getting to know them and coming to trust their vetting process in selecting the best art to represent in their galleries.
When he returned from service in the Navy in Vietnam in 1970, he went to an exhibition at the Speed Art Museum in Louisville, Kentucky, and was invited to join its contemporary collector group. The group traveled to other cities to visit its museums, to learn and to purchase works for the museum at galleries whose owners have since become legendary. “After a while,” he says, “I began to think, ‘If the group doesn’t buy this piece for the museum, I’ll buy it!’ I was hooked.
“My mother also became enthused and when the group didn’t have quite enough to purchase a work it wanted, she would quietly help out,” he continues. “I bought a couple of things for her, American works like paintings by Leon Kroll. My parents loved them but I felt they were pretty but boring pictures. I liked newer work.” He also gave his parents a Steuben glass figurine for Christmas every year. The collection now graces his living room. The Krolls now grace the collection of a museum.
Denne historien er fra July 2018-utgaven av American Art Collector.
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Denne historien er fra July 2018-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.