The recurring joke in action movies is how the hero could walk away from the big explosion and not turn around to witness the wanton destruction unfolding behind him. Having experienced 2020, I get it. I wouldn’t look either. It’s just too painful. Back there is chaos. Forward, that’s where this story has to take us.
And forward is where we’re going.
While pondering what 2021 might look like, we reached out to more than a dozen fine artists all around the country, and some outside of it, to get their perspectives on what is to come. What we found is a future filled with hope.
And make no mistake, that is a big deal. Our scientists and doctors will save our bodies. Our religious leaders will save our souls. Our elected officials will save our freedoms (fingers crossed on this one). But our culture, well, that is left to our artists. Our painters, our sculptors, our actors and dancers, musicians and poets, architects and designers, writers, photographers, printmakers…every artist in every field. What our future looks and sounds like is in their hands.
Denne historien er fra December 2020-utgaven av American Art Collector.
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Denne historien er fra December 2020-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.