Transposing The Past
Cuban painter Cesar Santos borrows freely from the past in a way that’s exciting and fresh. Like a pop quiz of art history, it rewards those who know their stuff—from Michelangelo and Katsushika Hokusai, to Rembrandt and Vermeer, to Keith Haring and Jackson Pollock. He calls this blending of art movements—Renaissance with street graffiti, cubism with contemporary realism, impressionism with Pop Art, printmaking with modern figurative—Syncretism, a word that he created to begin to capture his sampling from art history.
Santos will unveil new works that smash together art movements from around the world, as well as large works from a fresh series of paintings, at a new show opening April 14 at Maxwell Alexander Gallery in Los Angeles. Santos, who is currently living in Miami, has not shown before on the West Coast and is thrilled at the opportunity to bring his unique pieces to a new audience in California. “As soon as I saw the incredible space, I knew I had to do something very special,” he says. “It inspired me to do these big paintings on linen, which will be a lot of fun to show.”
Denne historien er fra April 2018-utgaven av American Art Collector.
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Denne historien er fra April 2018-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
