ANNA MASON reveals the secrets of her delicate and dramatic watercolours to NATALIE MILNER
If you’re one of thousands of people across more than 70 countries who subscribe to the botanical artist’s online painting school, you may feel like you already know Anna Mason. Her videos are friendly and accessible, and now her new book brings you even closer to her process.
Talking to the artist it’s clear the root of her on-screen confidence is the hours she spent drawing and painting as a child, inspired by her garden and the Sussex countryside. Yet she studied history at university and allowed eight years to pass without picking up a brush. “I missed painting and, when I saw some botanical art online, it lit a fire in me,” she says. “After a bit of internet research, I bought myself a set of Winsor & Newton professional half-pans in a tin, some hot-pressed paper and small brushes. I just started painting my garden.”
Denne historien er fra Summer 2018-utgaven av Artists & Illustrators.
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Denne historien er fra Summer 2018-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
