A dictionary might define “aesthetics” as being the principles and study of the elements of beauty in art. Yet if beauty is in the eye of the beholder, this definition might seem very limiting for the contemporary artist.
The idea of aesthetics in drawing has come to include traditions, influences, formal and informal concepts, use of materials and personal points of view. It even encompasses the practical approaches to making art, such as concepts of open form (more value and atmosphere oriented), closed form (more line oriented) and mixtures of the two.
As artists, it’s useful to take a look at a variety of aesthetics – or approaches to drawing – to get a sense of what is appealing to you. Think about what kinds of lines, marks, values and contours you want to combine to create your desired effect. Doing so will help you identify new directions to explore in your art.
Two large, central aesthetic traditions have been deeply influential in western art: Classicism and Expressionism. Descending in the west from the Greco-Roman world, these aesthetic traditions occur in most world cultures, from Ancient Egypt to Asia and Latin America. In their various forms, they continue to be two key points of reference for any contemporary artist.
CLASSICISM
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Denne historien er fra September 2020-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration