I took several photos to use as a reference back in the studio. I was keen to portray the busy atmosphere and the energy of so many people walking around, enjoying a beautiful day in the British capital.
In a busy scene it is important to accentuate the focal point. When there are so many elements – the people, the beautiful buildings, the awnings, and so on – you can easily create a conflict of interest.
So, it is important from the start to decide what the focal point of your painting is going to be, so you don’t get carried away by everything else. In this painting, the viewer’s eyes wander through the painting but eventually they rest on the focal point around the sign for the current production, Harry Potter and the Cursed Child.
I purposely dressed up the people with more colour and added people walking towards that focal point, as all these little details help to reinforce the centre of attention and make for a more dynamic painting. Alvaro returns to the UK for the International Watercolour Masters event which runs 16-29 May at Lilleshall Hall, Shropshire. www.alvarocastagnet.net
Alvaro's materials
• Paper
Arches 300gsm rough paper, 56x38cm
• Brushes
Denne historien er fra March 2022-utgaven av Artists & Illustrators.
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Denne historien er fra March 2022-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration