A high tide, a south westerly wind, fair weather and good visibility; not to be mistaken with the Shipping Forecast, these are actually the conditions needed for Felicity Flutter to capture the “best waves”.
These are the ones that occur when the sea is at its roughest and most ferocious. But unfortunately for the Sussex-based watercolourist, getting these uncontrollable elements to align, particularly with a bit of sunshine thrown into the mix, often proves elusive. “I tend to go down the beach when there’s a gale blowing, which is not necessarily when most people go,” Felicity explains. “One of the best storms we had was Storm Hector in 2018. It was fantastic as the sun was out at the same time, so I got all those parameters in one go, which isn’t easy.”
Keeping watch over a tide clock in her hallway, Felicity heads out at high tide, travelling a few miles from her home in a village near Rye to the East Sussex coastline.
The particular stretch of coast that the artist visits runs west from Dungeness past Rye and Winchelsea to the eastern edge of Hastings. Apart from her favourite part, where the cliffs rise up at Pett Level, the area’s topography is extremely flat, which might explain why such dramatic, rolling waves often take centre stage in her paintings.
Felicity hasn’t always created seascapes. Originally a graphic designer, she started experimenting with watercolours around 30 years ago and has since focused on a variety of subjects. It took moving to the coast in 2011 to fully unlock her passion for water.
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Denne historien er fra Summer 2020-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration