Despite living on opposite sides of the globe, wildlife artists GABRIELA EZCURRA and KATE MORGAN share a love of painting exotic creatures in verdant settings.
The tropical jungle – a place of density, heat, color and often danger. Perhaps these attributes are why this environment has always been such a draw for painters. Capturing all of that life is quite the challenge.
Henri Rousseau is probably the most famous artist who has ever painted a jungle – his name instantly conjuring up images of palms and tigers and orange flowers blazing like flames in the midst of abundant greenery.
Yet Rousseau famously never set foot in a jungle. He never even saw one from afar. Instead “Le Douanier” – the customs officer, as the French painter was known in a nod to his day job – worked from his imagination.
This is a concept that will be familiar to Kate Morgan, whose paintings are a seductive blend of the hyperreal and the fantasy, using densely inhabited natural habitats like jungles or deep seas as a backdrop. Despite embracing elements of the surreal, she researches her subject matter meticulously. Only once she has a firm grip on reality does she allow herself to incorporate anything imaginary.
Cheerful, celebratory and packed with color and texture, Kate’s work shines a particular light on indigenous and endangered species, many of which are found in the world’s jungles. Chameleons, parrots, and leopards jostle for attention. There is the feeling, when looking at her work, that Kate is showcasing much of this world in all of its glory, issuing a stark picture of all we stand to lose if we don’t change how we treat our planet.
Denne historien er fra Summer 2019-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Summer 2019-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration