In this exclusive extract from her new book, JEAN HAINES shows how energising colours and positive thinking can boost confidence when painting.
Remember that painting with red shades is energising. It is a feel-good colour, with positive connotations. In the Chinese tradition of feng shui, round shapes are said to be better than hard straight lines, bringing good fortune with them; which makes painting tomatoes or other round red subjects ideal.
Observe the colour of your subjects. Not all tomatoes are just red in colour. There are green, orange and even yellow tones. Carry out a few colour sample exercises on a scrap of paper to get a great idea of your favourites before you start painting. That way you can discover the shades you would like to use.
Absorb the energy from every red shade that you opt for as you create. Let it warm you, energise you and simply help you feel good.
1. MAKE SHAPES
Denne historien er fra August 2019-utgaven av Artists & Illustrators.
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Denne historien er fra August 2019-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
