Self-taught painter HARRY HAMBLING followed his famous daughter into art. Here, ANDREW LAMBIRTH explores how his creativity blossomed later in life
I first met Harry Hambling in 1990, when he was 88 and had been painting for more than 20 years. Although he was a natural when it came to putting on paint, Harry hadn’t picked up a brush until he had retired from his day job, as chief cashier in Barclays Bank, Hadleigh, a handsome Suffolk village not far from Gainsborough’s birthplace, Sudbury. He retired when he was 60, which is when his youngest daughter Maggi gave him a set of paints, but it took him a further five years to try them out. However, when he did start painting in 1967, there was no stopping him. Harry enjoyed a 30-year career as an artist and sold nearly everything he produced.
Denne historien er fra August 2018-utgaven av Artists & Illustrators.
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Denne historien er fra August 2018-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
