Peter Brown has gone back to school. The award-winning painter and father of five are currently ensconced at a public school in Lancashire with little in the way of telephone reception and plenty in the way of fresh inspiration.
But Peter isn’t at Stonyhurst College to learn in a traditional sense. He’s on an artist’s residency here, following school life within the imposing gothic building and the rugged landscape that surrounds it.
It’s a long way from Bath, Peter’s adopted hometown, where he lives with his wife Lisa and children Ollie, Toby, Hattie, Ella and Ned (asked if any of the kids might follow in their father’s footsteps and he suggests they might get “proper jobs” instead). Bath is also the city Peter has immortalized hundreds of times in his paintings, but the residency is further evidence that he is also an artist who thrives on change and challenge.
Originally from Newbury, Berkshire, Peter moved to Bath in 1986 for his art foundation course, before leaving to pursue his studies elsewhere. He wasn’t away for long as the Regency glamour of the Somerset city pulled him towards his past – and his paints.
Brown is affectionately known as “Pete The Street”, a name which is assumed by many to refer to his predilection for painting urban scenes, though this isn’t strictly true – it actually came about because he sold his works on the streets of Bath at the start of his career.
When his pal Charlie dropped off some of his paintings for an open call at Bath Society of Artists, the lady at the desk asked if he was “Pete The Street”. “How she came about it I don’t know, but that’s the first I heard of it.”
Denne historien er fra December 2019-utgaven av Artists & Illustrators.
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Denne historien er fra December 2019-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration