The Surf Artist Has Turned an Ice-cream Hut on the North Cornish Coast Into a Cliff-top Studio and Gallery.
How did your unusual studio come about?
I came for a walk in 2015 and saw this old ice-cream hut. It’s owned by the Treyarnon Bay Youth Hostel next door. I spoke to the manager about it and he asked if I wanted to use it. I opened in February 2016 for a test run until Easter. It went well, so we worked out a deal. I give a percentage of takings to Breaks for Kids, which is run by YHA to help children from disadvantaged backgrounds. I’ve renovated and it’s now known as the Art Shack. It’s rustic and keeps needing new paint jobs because it’s open to the elements.
You also have a studio in your garden at home. What are the benefits of working at the Art Shack?
It’s allowed me to paint more and, because I’m here and everything’s on show, I can make money at the same time as being productive. And, if no-one’s here to buy, it doesn’t matter because I’m still doing what I’d be doing at home in my garden studio but in a much better location.
Denne historien er fra August 2017-utgaven av Artists & Illustrators.
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Denne historien er fra August 2017-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
