In a dark room, I set a single light above the subjects head. I took photos with the eyes open and closed. I chose closed eyes to show a more thoughtful moment.
STAGE 1 PHOTO SHOOT
In a dark room, I set a single light above the subject’s head. I took photos with the eyes open and closed. I chose closed eyes to show a more thoughtful moment.
STAGE 2 EDITING THE PHOTO
I made the face brighter and the hands darker to give the face emphasis. I added water, drawing out where I thought the streams might be.
STAGE 3 ESTABLISHING VALUES
I begin a piece with a small area of black to judge my values as I work. This lets me compare future values to the black and white I’ve already established.
STAGE 4 BEGINNING SKIN TONE
I create my skin tone with light layers of beige sienna and seashell pink, which I mix with splotches of yellow, lavender and pink. Notice the pattern on the forehead.
Denne historien er fra October/November 2018-utgaven av International Artist.
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Denne historien er fra October/November 2018-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within