CARE. WORKING WITH THE “MARGINS OF THE MARGINS”
International Gallerie|Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'
In the backdrop of the inequalities that are produced and sustained by processes of colonisation and neoliberalism, CARE, [Culture-centered Approach to Research and Evaluation], seeks to build spaces of co-creation with Indigenous communities. They create alternative frameworks of development, amidst the ongoing struggles for livelihood experienced by Mãori, the “margins of the margins”, with solutions emerging from lived experiences.
Christine Elers and Mohan J. Dutta
CARE. WORKING WITH THE “MARGINS OF THE MARGINS”

Solutions created by Mãori at the margins offer the basis for imagining possibilities that challenge how mainstream society is organised. In one such culture-centered intervention developed by Whãnau [extended family] in Feilding, preventing further ancestral land loss and protecting the river from neoliberal local government extractions are seen as a way for sustaining life and livelihood.

An advisory group of Whãnau participants in Feilding note the continual erasure of their voices as the key challenge to overcome, noting the construction of a stopbank on the remaining acres of ancestral land.

The construction violated the sovereignty of the Whãnau, challenged the health and wellbeing of members, and erased them by not engaging them in participatory processes. Against this backdrop, the advisory group supported wider Whãnau members and their decision to occupy the land on the banks of the river, at the sites of the construction, to disrupt the erasure and to stop the illegal development.

Denne historien er fra Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'-utgaven av International Gallerie.

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Denne historien er fra Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'-utgaven av International Gallerie.

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Perils Of Nuclear Energy
International Gallerie

Perils Of Nuclear Energy

Addressing negative consequences of nuclear tests for the environment and human health in the areas around these sites, pointing the finger at the Soviet and current governments, “This is Silence” highlights one of the main points that the artist seeks to stress: the absence of public discussion about critical issues.

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2 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
Greta Thunberg. It Is Time To Rebel!
International Gallerie

Greta Thunberg. It Is Time To Rebel!

Student, activist and initiater of ”The Greta Effect”

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3 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
THEATRE UNDER PRESSURE.
International Gallerie

THEATRE UNDER PRESSURE.

The facts [some of it] about Climate Change are out there. With a few articles and videos, anyone can know that Climate Change is serious and needs immediate attention. Yet, we continue living our lives at the cost of the planet. With so much awareness, why are we not moving towards climate action and justice? How can our collective consciousness be pricked? Can we use the theatre to tell the story of the tree that I was looking at? Can we understand climate change from the aerial view of the parrot? Can we reflect on how much plastic waste we generate every day? With these questions, we set out to explore how theatre can talk about climate change.

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3 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
WHERE TIGERS ARE HAPPY!
International Gallerie

WHERE TIGERS ARE HAPPY!

Initiated by the Sanctuary Nature Foundation, ‘Kids for Tigers’ is an inspiring project that educates schoolchildren about the welfare of wild animals. Spearheading this program, is Govardhan Meena, a sensitive village boy who grew up to be a saviour of tigers, of forest land and their inhabitants. Born in 1980 to a Meena tribal family living on the outskirts of Ranthambhore, Rajasthan, the unassuming young man is a virtual Pied Piper for children learning about the environment. He works 24x7 with a single-mindedness, building bridges between people and parks. No wonder, the awards and certificates in his prized possession, are more than deserving for a man whose life is dedicated to helping village children seed bonds with nature’s wilderness.

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2 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
DANCE LIKE A MAN!
International Gallerie

DANCE LIKE A MAN!

Dancer, choreographer and actor, Revanta Sarabhai, the third generation of a famed family of classical Indian dance, believes the arts have a way of reaching out to people in an entirely different way than scientific data or information does; that performance tends to have a greater emotional and empathetic impact on people’s senses rather than only their rational brain. Believing that the arts have a tremendous role to play in championing the cause of climate change [or any major challenge human beings face globally], he urges artists to harness the power of the arts to create change. With this conviction, Sarabhai shares with us his conceptual performance questioning climate change.

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1 min  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
DANCE OF THE ACTION BRIGADE
International Gallerie

DANCE OF THE ACTION BRIGADE

When a dancer is concerned about climate change issues there is a strong potential to nudge the emotions of viewers in a way that can impact an audience sometimes more quickly than an entire thesis on the subject.

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3 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
CELEBRATING THE WILDERNESS
International Gallerie

CELEBRATING THE WILDERNESS

“Humanity can no longer stand by in silence while our wildlife and nature are being used, abused, and exploited.

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3 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
THEATRE SALUTES THE ENVIRONMENT
International Gallerie

THEATRE SALUTES THE ENVIRONMENT

Theatres evolve to reconnect us to each other and the environment

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4 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
FROM TRASH TO TREASURE
International Gallerie

FROM TRASH TO TREASURE

Veena Sahajwalla is a whirlwind of ideas and energy, determined to tackle the mountain of waste, especially -waste generated by Australians every year. Recycling waste into ‘green steel’ and ‘green ceramics’ is the result of years of experimentation at UNSW [University Of New South Wales, Sydney]. Director of the UNSW Sydney SMaRT Centre and a Eureka Prize winner [considered the pinnacle of scientific achievement in ustralia], Professor Sahajwalla was also awarded the PLuS Alliance prize for innovation in 2017.

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3 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
BITTU SAHGALSEEKING SANCTUARY
International Gallerie

BITTU SAHGALSEEKING SANCTUARY

In kinship with wildlife, with nature, with the air we breathe Bittu Sahgal shares his lifetime’s camaraderie with the environment

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4 mins  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'