As Head of Design for Tata Motors, Pratap Bose leads a large team across three global design studios. His attempts to bring synergy between the three have enabled the Indian automotive giant to introduce a range of passenger and commercial vehicles that aspire to compete in the global arena.
PB: While I was always drawing cars in my text books and journals, my earliest introduction to automotive design was when I saw this beautiful blue Mercedes 280 SEL outside the Taj Mahal Palace Hotel in Mumbai. It was a very powerful image and I realized that someone must have designed the car – it was so well thought out in every detail that it couldn’t just be a random exercise of putting things together. I had to find out if there was a vocation that allowed you to do this! This led me to discover NID, which was an important part of building my base on anything related to design.
Tell us about your early days in the field.
PB: I graduated in product design, as in the ’90s there wasn’t yet a specialized course in transportation design. However, I did some projects, including my final thesis, on car design. After I graduated from NID I was lucky to get the chance to do a short stint at Piaggio in Italy. Before I knew it, six months turned into three years.
I had learned how transportation design works and fits in a large company, but I still wanted a formal education in car design. So, I decided to pursue a Master’s in Vehicle Design at the Royal College of Art (RCA) in London. At RCA, I learnt about the technique and the science behind the art.
Once I graduated from RCA in 2004, I accepted an offer to move to Japan and work with Mitsubishi Motors. From 2005 to 2007 I worked with Mercedes Benz, at their Advanced Design Center in Yokohama. Working in Japan for four years was an incredible experience, an absolute gamechanger. This was the real world and a real job, and I was putting to practice all the passion and training I had gained. And to be a part of Mercedes Benz, after seeing that 280 SEL in Mumbai all those years ago, was very special.
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A Legacy Continues
Leveraging the success of his family's export business, Naman Jain is focusing on creating a retail presence in India
Creating KAIRA
Long fascinated by Indian fabric, Nikita Gupta has launched an attractive line of contemporary apparel in traditional block prints
Stories faces tell
Aditya Narula dabbled in various vocations before he realized portraiture was the best way to express the fascinating complexities of the people he encountered along the way
time tested DESIGN
Surrounded by art and architecture as a child, Sarah Sham went on to take the family antiques business in a new direction through her interior design venture
DANGEROUSLY DELICATE
Kavya Potluri's attention to minute detail is what sets her intricate and unconventional jewelry apart
music as muse
A multidisplinary visual artist, Aaron Pinto, also known as Kidsquidy, has had an interesting journey that started with MTV and has him now working on everything from music videos to stage design
DEVELOPING A DISCOURSE
Documentary photographer Taha Ahmad believes his work has a greater purpose than merely being admired by a select audience for its esthetic value. It's when people are able to see the underside of society and understand the prevailing social injustice that the work tries to reveal that it is truly worthwhile.
Tiny little Stories
Creating miniature worlds allows Ruchika Nambiar to continue to play childlike games of make-believe
The Richness Of Handmade
Amit Vijaya and Richard Pandav are committed to bringing together many hands and hearts through their clothing label ‘amrich’
The perfect balance
Aniruddh Mehta is as much graphic designer as visual artist, and he tries to do justice to both through his work at Studio Bigfat