The Fuji X-T1 brought real class and style to the mirrorless camera market, and now the X-T2 adds speed and resolution.
The X-T2 sits alongside the X-Pro2 as Fujifilm’s joint flagship camera, offering two distinct options for photographers. The former, with its rangefinder design, is less obtrusive and better suited to Fujifilm’s prime lenses, while the more SLR-like X-T2 is designed with its growing range of fast zoom lenses in mind.
The X-T2 gets the 24.3Mp APS-C X-Trans III CMOS sensor first seen in the X-Pro2. This sensor has delivered some impressive results in the X-Pro2, and with a 50 per cent larger pixel count, is a welcome upgrade from the 16.3Mp sensor in the X-T1.
The X-T2’s electronic viewfinder has the same 2.36 million-dot OLED display with 0.77x magnification, but it’s now twice as bright, there’s an automatic brightness adjustment function and it features a higher baseline frame rate of 60fps (compared to 54fps on the X-T1). And there’s now a Boost mode that increases this to 100fps, so even fast- moving subjects are displayed smooth, though this does drain the battery faster.
The rear display has been updated, too. The 3-inch display keeps the same 1.04 million-dot resolution, but it has a new double-jointed articulated design, making it possible to pull the screen outwards and away from the body when the camera is tilted on its side for portrait format shots. Interestingly, Fujifilm hasn’t included a touchscreen, arguing that there just isn’t the hunger for it on X-series cameras. The X-T2 is the first Fujifilm X-series camera to shoot 4K UHD (3840 x 2160) video recording, offering a bit rate of 100Mbps (compared to 34Mbps on the X-T1) at 30, 25 or 24fps. It offers recording times of up to 10 minutes, although if you attach the optional VPBC- XT2 battery grip, this is extended to 29 minutes and 59 seconds. There’s HDMI output, audio volume live monitoring and adjustment, a 3.5mm microphone socket in the body, and a 3.5mm headphone terminal in the optional grip.
Denne historien er fra November/December 2016-utgaven av Professional Photography.
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Denne historien er fra November/December 2016-utgaven av Professional Photography.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Beauty And The Banal
Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.
The Art Of The Incomplete
Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.
The Photographer's Guide to SEO
Discover how to get your photography website high in Google’s rankings
The Royal Treatment
Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him
Joanna Millington
The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
World Press Photo 2018 Gallery
In the world of 2018, photojournalism is more important than ever. From the aftermath of an ISIS car bomb to delicate meditations on our relationship with the planet, the annual World Press Photo of the Year contest celebrates and honours the industry’s finest. We present a selection of our favourite images from among this year’s winners.
Modern-day Daguerreotypes
Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention
Something Really Wonderful Is Going On
A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
Share Your Photography, Support A Charity
A new photography competition for positive social change.
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”