A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
DOYLE wasn’t always a photographer. Despite having studied photography and painting at IADT in Dublin, for 20 years he barely touched a camera, having found himself unexpectedly thrown into a career in the music business. He travelled around the world DJ-ing, mostly in Europe and Asia, and ended up founding and running the Dublin Electronic Arts Festival as well as a record label and a recording studio. He was all set to be in music for the rest of his life, but then the recession came.
“In late 2008, the crash hit in Ireland. We got hit first and worst. So I packed it in and bought a camera. I bought a Leica M7, although I’d never had a range finder before. And I pretty much just picked up from where I left off after college, just walking around the streets.”
Doyle has lived in the same street in Dublin since 1992, in a building bought by his father “for about ten pounds”, in a derelict and desperate area.
“I was one of two people living in the street when I moved in,” he says. “It was basically decimated by heroin and drugs. It still kind of is, but it’s now one of the most densely populated parts of the city; there was a huge wave of immigration in the 1990s and 2000s. When I started taking photographs again, the whole city had changed. It felt like the whole world had come to Dublin.”
Denne historien er fra March/April 2017-utgaven av Professional Photography.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra March/April 2017-utgaven av Professional Photography.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Beauty And The Banal
Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.
The Art Of The Incomplete
Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.
The Photographer's Guide to SEO
Discover how to get your photography website high in Google’s rankings
The Royal Treatment
Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him
Joanna Millington
The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
World Press Photo 2018 Gallery
In the world of 2018, photojournalism is more important than ever. From the aftermath of an ISIS car bomb to delicate meditations on our relationship with the planet, the annual World Press Photo of the Year contest celebrates and honours the industry’s finest. We present a selection of our favourite images from among this year’s winners.
Modern-day Daguerreotypes
Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention
Something Really Wonderful Is Going On
A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
Share Your Photography, Support A Charity
A new photography competition for positive social change.
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”