If someone had told me I was going to spend a week with a bomb disposal team, I would never have believed them. I was really excited about the project, but I also thought, ‘This is dangerous, what the hell am I doing?’ I’m a mother with a little kid; something could go wrong. Cluster bombs are spread widely around the countryside, as are landmines. Once we even saw a ‘bombie’ rolling around in a school yard.
TESSA BUNNEY has recently returned to the UK after spending four years in south-east Asia, where alongside other projects, she photographed the women of UTC6, an all-female bomb disposal team based in Xieng Khouang, Laos. It’s one of the most badly affected provinces in a country riddled with live bombs, more than 40 years after the Vietnam War.
Bunney’s interest in people and the land compelled her to investigate the huge task facing the country; ridding itself of some 80 million items of unexploded ordnance (UXO).
“Nearly everything I’ve done in the last 25 years has been about landscape, and how we use it in different ways,” she says. “My time in Laos was spent doing stories about how people survive as subsistence farmers, how we as human beings use the land.” The presence of UXO makes subsistence farming a dangerous occupation. During the war, more than 270million cluster bomb sub-munitions, aka ‘bombies’, were dropped on Laos. Since 1975, some 20,000 people have been killed by them.
Bunney’s photographs show a line of bomb casings working as a fence, and a half shell-casing used as a cattle trough. “People were so desperate for money that they would look for bombs and try to dismantle them to get the dynamite out and sell the scrap metal,” she reveals. “For 20 years, everyday life in Laos was extremely risky.”
Much that was visible has now been dealt with by NGOs and government clearance teams, but most remaining UXO are now underground, and farmers working the land still come across bombs just under the surface.
Bunney explains that as well as the obvious danger of wandering around a bomb field, Laos is not an easy country to work in. In the 2016 Press Freedom Index it ranks very poorly; the Communist government exercises tight control.
Denne historien er fra January/February 2017-utgaven av Professional Photography.
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Denne historien er fra January/February 2017-utgaven av Professional Photography.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Beauty And The Banal
Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.
The Art Of The Incomplete
Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.
The Photographer's Guide to SEO
Discover how to get your photography website high in Google’s rankings
The Royal Treatment
Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him
Joanna Millington
The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
World Press Photo 2018 Gallery
In the world of 2018, photojournalism is more important than ever. From the aftermath of an ISIS car bomb to delicate meditations on our relationship with the planet, the annual World Press Photo of the Year contest celebrates and honours the industry’s finest. We present a selection of our favourite images from among this year’s winners.
Modern-day Daguerreotypes
Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention
Something Really Wonderful Is Going On
A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
Share Your Photography, Support A Charity
A new photography competition for positive social change.
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”