Fergus enjoyed a long and illustrious career in jaguar’s studio, designing some of the company’s most popular models. Now retired, he talks to us about his time at jaguar and the cars he created.
FERGUS POLLOCK had no passion for Jaguar growing up, despite being a Birmingham boy mad on cars. “If I’m honest,” he tells me in the living room of his pretty cottage near Rugby, “I was more interested in Ferrari.”
Even after Fergus became a designer in the mid-Seventies, the British company wasn’t on his radar. It was only after he’d started work there in 1982 that he began to understand what makes Jaguar special.
“You soon get sucked into the culture,” he says. “After a year there, you’re immersed in it, and live and breathe the company and its cars.”
It was no surprise to anyone who knew him that Fergus became a car designer. His father, Dennis Pollock, was an engineer and the head of Accles & Pollock in Oldbury, Birmingham, a company that made steel tubes for bicycles, while his mother was an artist. His two older brothers were both equally crazy about cars and would rebuild engines on the kitchen table. “I absorbed it all,” says Fergus, “including stuff from my Dad’s side and from my Mum’s because her paintings were all over the house.”
As Fergus grew older, he knew he wanted to be involved with cars, but he didn’t know how. “Like every kid, I used to sketch cars in a book so I wanted to combine art and cars. But, despite looking for a route to get there, there was nothing in place.”
Fergus did have a one-to-one with Chrysler’s then head of design, Roy Axe, at its UK design studio at Whitley a few miles from Coventry. “He said I’d never get into car design because I needed a degree. He did offer me a modelling job, but I turned it down.”
Denne historien er fra May 2017-utgaven av Jaguar World Monthly.
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Denne historien er fra May 2017-utgaven av Jaguar World Monthly.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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The Old Way
With manufacture of the X351 XJ now finished, the F-TYPE takes over the mantle of Jaguar’s oldest production model. To discover more about the continuing allure of this six-year-old sports car, we drive a 380PS V6 convertible from Lincoln to Bath on the UK’s oldest road, the Fosse Way
Saving Jaguar
On the brink of the abyss in the early Eighties, Jaguar saw its fortunes turned around by a new chairman, John Egan. We meet up with him at the Jaguar Heritage Trust at Gaydon to talk about his strategies for the company’s recovery
Rolling road
A SNOWY February morning is not the ideal time to be taking out a pristine Jaguar E-type, and an early Series 1, flat-floor model at that. But my mate Bryan Smart has booked his in for a three hour session on a rolling road, and doesn’t want to miss the appointment. He’s not looking for more power – this car is standard, but it doesn’t idle as smoothly as it should. He’s not bad with spanners himself, but neither he nor a couple of specialists have been able to solve the issue.
Jaguar World's Technical Advice Service
E knock off
1966 E-Type Fixed Head Coupe
Trimmed and ready to be toned, Jim’s E-type Series 1 fixedhead returns home fromMCT Restorations
Favourite things
With a 300PS diesel engine and a lightweight, handsome body, the XF 3.0 TDV6 S could be the editor’s best-choice saloon of the current range. To discover if that’s true, he takes an example to a well-loved location of his, the Yorkshire Dales.
Jim Patten
MOT exemption
Time Warp
Carcoon will be 25 years old in 2018, so we meet the people behind the scenes to discover how the bubble idea came about
1984 XJ6 Series 3 4.2 Sovereign
Iain relays the joys and disappointments of buying an XJ6 Series 3 project car for our sister title, Classics Monthly
Family Ties
Despite the thirty years that separate the E-type 2+2 Series 1 from the XK8 they have many similarities – such as being fun and the added practicality of four seats to attract the family man. We test 4.2-litre versions of both cars back-to-back.