MCU launcher Robert Downey Jr discusses the Stark realities of being Iron Man
YOU ALL KNOW how he earns a living. A decade ago, Robert Downey Jr launched the MCU as Tony Stark in Iron Man, and has since then become the lynchpin of the franchise, with major appearances in seven of the 18 films. Now in his early fifties, and with his contract coming to an end with Avengers 4, it may soon be time for Downey Jr to explore life outside the steel suit. We caught up with him in-between takes on the Infinity War set.
What can you tell us that’s not a spoiler?
We can just sit in silence. Ruminating.
How does this feel? Like the beginning of the end in a way?
It doesn’t. It feels like a decade of signs and wonders. The future should be uncertain for anybody in this whole cinematic universe.
Let’s talk about Tony. Where is he when we pick him up?
To me the big question is could he ever in clear conscience pick up that flip phone Cap sent him at the end of Civil War. That is really it. For me I think back to Obadiah and that deception, and it’s one of those things. It’s why Steve Perry never went back to Journey.
That’s the analogy I was thinking of. Tony’s been worried about the end of the world for a while now. Where is he now in terms of that?
He doesn’t like space. Tony no longer likes space or time or dimensions.
The character has changed over the years. The Tony of Civil War is not the Tony we meet in Iron Man.
Denne historien er fra April 2018-utgaven av Empire Australasia.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2018-utgaven av Empire Australasia.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Out Of The Cage
From the ashes of Suicide Squad has risen something fresh, bold and exciting: birds of prey. Inside the first-ever female-ensemble superhero film
The Master Of Suspense
With a string of dazzling, high-concept thrillers, bong joon ho has drawn comparisons to hitchcock. But his films also have a strong social message, and his latest, parasite, is no exception
Wonder Woman Swings Into The '80s
Director Patty Jenkins on setting Diana Prince loose in the era of excess
The Many Parts Of Martin Lawrence
As the comedian makes a bigscreen comeback, he talks us through his greatest roles
HIS NUMBER'S UP
AFTER 14 YEARS, THE LONGEST TENURE OF ANY BOND, DANIEL CRAIG IS ABOUT TO HANG UP HIS MARTINI GLASS AND WALTHER PPK. EMPIRE TRACKS 007 ACROSS THE GLOBE, FROM LONDON TO JAMAICA AND NEW YORK, TO BRING YOU THE ULTIMATE INTEL ON NO TIME TO DIE. AND HIS EMOTIONAL FAREWELL...
THE FALL GUYS
In 2011, Zack Stentz and Ashley Edward Miller were the hottest new screenwriting team in Hollywood. Then they disappeared. Eight years later, they tell EMPIRE their cautionary tale; revealing the tough reality of a writer's life Hollywood
Buddy Hell
The last blockbuster to be released in the 1980s, Tango & Cash seemed like a no-brainer: a buddy-cop team-up for two of Hollywood’s biggest stars. But it didn’t take long for the wheels to spectacularly come off
BLAZING a TRAIL
Queen & Slim IS A ROAD MOVIE, A TENDER ROMANCE AND AN UNFLINCHING LOOK AT WHAT IT MEANS TO BE BLACK IN 21ST CENTURY AMERICA. EMPIRE ASSEMBLES ITS WRITER, DIRECTOR AND TWO STARS FOR A FRANK, FREEWHEELING CONVERSATION ABOUT WHY IT NEEDED TO BE MADE
BATTLE PLANS
HOW SAM MENDES AND TEAM TURNED WORLD WAR I DRAMA 1917INTO A REAL-TIME, ONE-TAKE WONDER
An Oscar-winning director. The world's biggest pop star. A classic West End musical. Judi Dench with a tail. The biggest gamble of the year
Ever since the trailer dropped the world has been mesmerized by Cats. We journey deep inside the maddest, milkiest film of 2019
