Nefertiti’s beguiling bust has today made her one of the most widely recognised figures of the ancient world. But, asks Joyce Tyldesley, do this Egyptian queen’s accomplishments 3,000 years ago really merit her modern-day acclaim?
In 1333 BC the young Egyptian king Tutankhamun decided to abandon the royal city of Amarna. The sculptor Thutmose, supervisor of a large workshop specialising in the production of royal images, was a man entirely dependent on royal patronage. He had little choice but to pack up his tools and follow his king. Thutmose sailed away from Amarna, leaving behind a city filled with royal sculptures and a storeroom crammed with unwanted works of art.
Not long after his departure, the city’s sculptures were viciously attacked by those opposed to the Amarna regime, and many of the statues were reduced to fragments. The storeroom, however, remained untouched. Here, on 6 and 7 December 1912, a German archaeological team led by Ludwig Borchardt discovered more than 50 pieces, including a startlingly lifelike bust of a queen. The woman was unlabelled, but she wore the unique flat-topped blue crown that identified her as Nefertiti, consort to Tutankhamun’s predecessor, Akhenaten.
Nefertiti’s bust had been carved from limestone, then covered with a layer of gypsum plaster, which allowed Thutmose or one of his workmen to create the fine definition of the muscles and tendons in her neck, to add creases around her mouth and under the eyes, and to emphasise her cheekbones. Paint then gave Nefertiti a smooth pink-brown skin, deeper red-brown lips, arched black brows and a colourful floral collar encircling her slender neck. Her right eye was created from rock crystal; her left eye is missing.
THE BIRTH OF TUT-MANIA
Denne historien er fra July 2018-utgaven av BBC Earth.
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Denne historien er fra July 2018-utgaven av BBC Earth.
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