Observing the status quo over the years lends one a macro view of the music scene.
There are the “stars” and the players who are the current favorites. Young people pop up in various combinations and then something catches your eye. A steady stream of events, recordings, videos, consistent internet hits on one person in many manifestations begins to take form and a new force comes on the scene. David Bragger is one such force. A notice of teaching appears in social media and the forum sites. A band name, The Sausage Grinder, comes up with increasing frequency. Then a name brand, in this case, The Old-Time Tiki Parlour, starts causing a stir, jumping out of the box with a new CD/DVD by Dan Gellert, a woefully under-recorded one-man old time funk machine with no equal in the old time world. This was cause for investigation. Here’s what we learned from the creator of the Old-Time Tiki Parlour, David Bragger.
What kind of music did you play before old time?
As a kid, I was interested in many types of music. My mother has very eclectic tastes and through her record collection, I discovered the Clancy Brothers, the Beatles, Dave Brubeck, Mississippi John Hurt, Dr. John, Gilberto Gil, Queen, Bob Dylan, African music, and opera at a very young age. In fifth grade I took some guitar lessons and proclaimed that I could never be a musician. So I quit. Turns out that I had a horrible teacher who had no interest or passion in teaching. I figured it was me. As I continued listening to music obsessively, I stumbled upon Frank Zappa and Captain Beefheart. The possibilities of musical expression and tone became very clear to me by this point. The experimental progressive music that I listened to in my teens reignited my interest in acoustic sounds and folk music of all things. I picked up the guitar again. Never give up!
You were playing music before you found old time music, or before it found you. Can you describe how you became an old time musician? What instrument was your gateway instrument to the music?
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Denne historien er fra Winter 2016/17-utgaven av Fiddler Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Bluegrass Fiddling
Mac Magaha-Nashville's Dancing Fiddler
The Intrepid Fiddler
Busking in the Digital Age
Isle of Birds
Scottish Fiddling with Pete Clark
Jody's Column
"Broken Down Gambler" as played by The Skillet Lickers
Tunesmiths
A Favorite Tune and its Mysterious Title
On Improvisation
In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.
Ingredients of Fiddle Tunes
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.
Glen Harrell - Turn up the Volume
In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.
Violin Maker's Corner
Fundamental Friction Facts for Fiddler Folks
Murray Kuun: Non-traditional Violin Maker
Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.