![Ingredients of Fiddle Tunes](https://cdn.magzter.com/1444081353/1662400023/articles/gVU6NvN8G1665492779412/INGREDIENTS-OF-FIDDLE-TUNES.jpg)
"Why not?" said Frank Ferrel. "Because it is tough to bring the bayou climate, the smells, the architecture, the language, the landscape, up here to the cool and relatively new Pacific Northwest. I can bring the music, but without those other ingredients, it is incomplete. Now you take Dudley, all he has to do is describe a New Hampshire winter, and everything else is pretty much in place. Oh, the houses are a little funny here, and maybe the trees taller, but mostly it is like the coast of Maine." "Well," said Frank, "we can fix that. We have an old bakery here on the fort with a big cauldron in the middle. We'll shut the windows, turn on a humidifier, crank up the cauldron and have a gumbo going in it, and some black coffee at hand. You can have your classes in there." He did and it worked.
He was right, though, about the ingredients. Anita Best, folklorist from Newfoundland, says in the Rufus Guinchard film, "It's great that you can play your own music... that you don't always have to be playing American stuff, or Canadian stuff or French stuff. You can say I got that from here. This belongs here. The particular combination of geography, culture, and weather that produces Newfoundlanders ... the spirit of Newfoundlanders, it belongs here and is reflected in the music."
A talented person could stay in the confines of Harvard Square, never leave, and, on several instruments and the help of recordings, play music from many cultures ... sound bites ... surfing.
But the "ingredients" would be missing. Unless you traveled and/ or lived in the various places, the sound bite would be minus the "ingredients." Somebody says to me that they are an Irish musician. I say are you from Ireland. No, I am from Franklin. Have you ever smelled peat smoke. No, should I? They should get on an Aer Lingus to Shannon, and stay there for a bit. You don't have to be Irish. Just experience the ingredients.
Denne historien er fra Fall 2022-utgaven av Fiddler Magazine.
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Denne historien er fra Fall 2022-utgaven av Fiddler Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
![Bluegrass Fiddling](https://reseuro.magzter.com/100x125/articles/11593/1061178/GXGN2-Kp51665497540100/BLUEGRASS-FIDDLING.jpg)
Bluegrass Fiddling
Mac Magaha-Nashville's Dancing Fiddler
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The Intrepid Fiddler
Busking in the Digital Age
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Isle of Birds
Scottish Fiddling with Pete Clark
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Jody's Column
"Broken Down Gambler" as played by The Skillet Lickers
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Tunesmiths
A Favorite Tune and its Mysterious Title
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On Improvisation
In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.
![Ingredients of Fiddle Tunes](https://reseuro.magzter.com/100x125/articles/11593/1061178/gVU6NvN8G1665492779412/INGREDIENTS-OF-FIDDLE-TUNES.jpg)
Ingredients of Fiddle Tunes
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.
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Glen Harrell - Turn up the Volume
In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.
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Violin Maker's Corner
Fundamental Friction Facts for Fiddler Folks
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Murray Kuun: Non-traditional Violin Maker
Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.