Ariane Bankes is delighted that a little–known contemporary of Bawden and Ravilious has been brought out of the shadows
The rediscovery of an artist whose talent has long been lost to the world is a rare and exciting event. Suzanne Cooper is one such artist. Despite her startling early promise, we have only a modest number of works to remember her by, but these have now been brought together to receive their due in a revelatory show.
Brought up in Frinton on the Essex coast, in 1935 Cooper enrolled at the Grosvenor School of Modern Art in Pimlico, London, aged 19. This appealing-sounding institution had been established in 1925 by the Scottish wood-engraver and painter Iain Macnab, in his house in Warwick Square. Its students were allowed a remarkable degree of freedom, choosing between life drawing, the study of modern art (the critic Frank Rutter taught a course ‘From Cézanne to Picasso’), classes in composition and design, or dancing, taught by Macnab’s wife Helen Wingrave. The 1920s were a golden age for wood engraving, with initiatives such as St Dominic’s and the Golden Cockerell Presses, and Iain Macnab was one of the pioneers. his own incisive and dynamic linear style was taken up by students including Sybil Andrews and Cyril Power, and adapted to lino-cut with well-known results.
Denne historien er fra March 14, 2018-utgaven av Country Life UK.
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Denne historien er fra March 14, 2018-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds