The legacy of Scotland’s best-loved designer transcends the tragedies of his life and greatest work
BREAKING out almost exactly four years later to the day, last month’s devastating second fire at Glasgow’s famous School of Art has spectacularly marred this 150th anniversary year of the designer and architect Charles Rennie Mackintosh. The public outpouring of grief on both occasions was and is profound and testifies to the real sense of loss that is felt in relation to one of Glasgow’s most iconic buildings and flagship educational institutions.
The silence, instead of the customary inner-city buzz, that now surrounds the site at Garnethill is disturbing. People stop at the edge of the cordon to view the shell—while it still stands—and move on. It is an exhibition of an unscheduled and unwelcome sort, which seems to mock the increasingly dynamic rehabilitation of Mackintosh and his legacy in his home city.
The contrast on entering another beloved Glasgow institution, Kelvingrove Art Gallery and Museum, could not be greater. Here is the city’s centrepiece for the celebratory year and the most ambitious Mackintosh-themed exhibition for more than 20 years.
Denne historien er fra July 19, 2018-utgaven av Country Life UK.
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Denne historien er fra July 19, 2018-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
