Born on September 28, 1929, Lata didi, as she is fondly addressed, has sung in over 36 languages. On her special day, we replay her last exclusive interview, which gives insights into her one-in-million persona...
Lata Mangeshkar. Two words that encapsulate seven decades of music and a golden volumnious chapter in Hindi music. Lata has been an intrinsic part of the national consciousness just like, perhaps, the Taj Mahal. Her songs of love and loss, hope and happiness, strife and success, have helped generations heal and deal with a spectrum of intricate human emotions. Distilled and unblemished, her voice springing from the inner recesses of a consecrated artiste has made Lata the stuff of legends…
A muse who enthused a hundred mentors and inspired a million melodies, she will continue to be heard so long as the sun and stars conform to the diktats of gravity. Lata’s tryst with music began when she was just five. As a teenager, she turned breadwinner to a family that became a victim of misfortune. “This year in October, I complete 75 years in the film industry. My father (noted musician Dinanath Mangeshkar) passed away in April 1942 and in October the same year I started working,” she looks back. Young Lata began as an actor and Pahili Mangalagaur (1942) with Shahu Modak was her first film followed by Chimukla Sansar (1943) and Maajhe Baal (1944). “I was around 13-14. So I’d get roles of the hero’s or the heroine’s sister. But I didn’t like acting. Applying make-up, laughing and crying on order wasn’t something I enjoyed. I was happiest singing,” she smiles. And sing she did only to achieve a position nothing short of deification.
Denne historien er fra NOVEMBER 2019 -utgaven av GLOBAL MOVIE MAGAZINE.
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Denne historien er fra NOVEMBER 2019 -utgaven av GLOBAL MOVIE MAGAZINE.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
'I Don't Think I've Made It'
'It's taken me very long to get my foot into the door. But the kind of work or central roles that I want are still few.'
'I No Longer Need To Work For Money'
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'I WANTED TO BEAT PEOPLE UP...'
'Suddenly the audience pool feels bigger, like everyone is watching everything now.' 'It's no longer limited in terms of boundaries, like a state or a language.' 'Whether it's a series, a movie or even a Korean film, the audience has access to all of it.' 'Slowly, the boundaries are blurring, so that's great for actors.'
'At Times, Life Has Better Plans For You'
'You have to keep working hard.' 'The universe sees that in you and the higher power puts those opportunities in your way.'
The Best Places to Travel in September
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'I AM GETTING 1,000 CALLS EVERY DAY'
I am 7 feet and 7 inches tall.'
'We've Already Outlined What To Do In Our Next Films'
\"You can expect bohut kuch. Our dreams are big about the larger plan.'
'I think because India is a bigger country and Bollywood is such a well-oiled machine, the star thing has become so much bigger than the actor thing.'
Film-maker Asim Abbasi has been on the forefront of the Pakistani industry since the success of his 2018 film, Cake. In 2019, Pakistan sent Cake as its official entry for the Best International Film Oscar. Two years later, Abbasi was back with his explosive feminist series Churails, backed by India's Zindagi channel and Producer Shailja Kejriwal.
'I Want TO DO A K-Drama'
'I want to be in Korea doing a love story, full of romance.'
"Mom Was Very Scared Of..."
'When my mom saw my performance in Dhoka, she loved it.' 'She said, \"I don't know why I stopped you for so many years. Ab jaa beta, jee le apni zindagi\".\"
