“I don't carry my characters home” Ayushmann Khurrana
GLOBAL MOVIE MAGAZINE|January 2020
Why fit in when you were born to stand out? Ayushmann Khurrana understood this early in his career.
“I don't carry my characters home” Ayushmann Khurrana

What was initially adopted as a survival tool, has now become a #careergoal for the actor. The outsider opted for the path less frequented to avoid getting lost in the melee. An unobvious rebel, he chose off-kilter subjects like sperm donation, erectile dysfunction, fat-shaming, sexuality of middle-aged parents, virtual romance and recently the bane of baldness. In his characters, people find a resonance of their unspoken and unsolved riddles. With the jubilation of Bala behind him, the actor looks forward to a riveting 2020 with Gulabo Sitabo and Shubh Mangal Zyada Saavdhan… The Ayushmann juggernaut is unstoppable…

Is this the best phase of your career?

Last year, I felt I was in the best phase. This year too, I’m feeling the same. When I read the script of Dream Girl, I could sense it would be a blockbuster. At the same time, people had never seen me in a slapstick comedy. I’ve always done subtle roles. But this time round, I was loud and OTT. Of course, masses love these kinds of films. Each time I attempt something different, I’m apprehensive. Where Bala was concerned, I was confident. It had a solid script. It’s middle-of-the-road cinema, which is entertaining.

Were you nervous doing Article 15?

Yes. I was nervous during Article 15, AndhaDhun and Dream Girl. Article 15 was not a commercial movie, it’s a dark film. I feared paise kamayegi ki nahin. While AndhaDhun was experimental.

Was Bala de-stressing after doing intense films like AndhDhun and Article 15?

Doing every film is the same. Of course, if you’re doing a dark film like Article 15, it takes a toll on you. Whilst researching, I read about the underprivileged. That left me disturbed. But playing every character entails the same amount of hard work. It’s equally stressful and fun.

What excited you about Bala?

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