Just wanted to say thanks for (kind of) changing my life.
GT CHANGED MY LIFE (SORT OF)
Back in ’95 I was heavily into SRV but stuck in the Minor Pentatonic. However I found a new magazine in the small Swedish town I was living at that time. In it was an article about Steve Vai’s style by Dave Kilminster. It floored me. I had never heard about the Lydian scale and it was a real eye-opener. I studied every article in that issue and started to practise several hours a day. I soon attended a one-year guitar course in Sweden and started to get a little more knowledge. After that I moved to London and enrolled at Musicians Institute in Wapping. What a great year. Wonderful tutors, great musicians from all over the world and a chance to play styles that were new to me. The great Eric Roche was a tutor and I studied the same year as Jacob Quistgaard (he was a monster player and still is). After that I moved back to Sweden and went to a guitar school in Stockholm. When my studies were finished I played guitar for a living for 12 years, recorded several albums, did sessions and even managed to get a Guitarist Of The Year award, which was handed over by Kee Marcello. When I was done with touring I landed a teaching gig and have been a full-time guitar teacher since 2012. So once again thank you. I couldn’t have done it without GT.
Magnus Åkerlund
PS: Writing a column for GT is still on my bucket list!
Denne historien er fra March 2018-utgaven av Guitar Techniques.
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Denne historien er fra March 2018-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
