THE KD-75ZH8 ISN’T Sony’s first 8K TV rodeo. That would be the 2019 ZG9 [HCC #301], which found the Japanese giant going high-end crazy with 85in and 100in screen sizes and eye-watering five-figure price tags. This follow-up is a more affordable (£5,000) and manageable (75in) option.
Beyond its core 8K resolution, the 75ZH8 packs some notable features. Chief among these is its use of a full array LED panel with 320 zones of local dimming. It's impressively bright too, measuring as much as 2,500 nits on a 10 per cent white HDR window. Both these elements should translate to a premium HDR viewing experience.
The set's wide color gamut delivery is bolstered by Sony’s Triluminos color engine, and the image is powered by an 8K-optimised version of the brand's top-tier X1 Ultimate processor. This silicon hasn't actually been revamped for this set, but I guess the adage ‘if it ain’t broke, don’t fix it’ applies.
Heavy metal
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AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
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M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
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Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming
