DYLAN TEAGUE
Tell us a little about yourself as an artist, how you got started, and a bit about your career so far.
I’ve drawn for as long as I can remember. Around the age of 14/15 I got really into comics and started to draw my own. At about 19 I started to send off samples to 2000 AD and Marvel UK. I got some okay feedback and about a year or so later got my first job for 2000 AD.
Since then I’ve done the bulk of my comics stuff for 2000 AD but have also worked for DC Comics, Marvel, Delcourt and Kennes Editions. Outside of comics I’ve done some storyboarding and magazine illos, and currently I do a lot of design work for Sky TV.
What’s your relationship to comics and 2000 AD specifically? Are there any key characters or stories that you feel epitomise what 2000 AD is all about?
I’ve always been a big fan of 2000 AD, I started by collecting the old Titan reprints. I’ve loved the artwork, sci-fi ideas and black humour that 2000 AD produces, I think it has a uniquely British sense of humour. This is probably a big reason why Dredd has never really been a success with the Americans. Dredd really sums up what 2000 AD is about.
It’s 2000 AD’s anniversary. Is there a single highlight you could pick out from over the years? (This can be something you have created.)
It’s been brilliant to get to draw for 2000 AD, my school exercise books used to be full up with pictures of Dredd, so much so that I’d often have to pay for new ones! My highlights are stories like Block Mania and City of the Damned in Dredd, and I was also a big fan of Rogue Trooper and Zenith.
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Denne historien er fra April 2022-utgaven av ImagineFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world
