IT WAS ON BOXING DAY IN 1900 THAT THE lighthouse tender Hesperus reached Eilean Mòr in the Outer Hebrides, a remote island that should have been home to a trio of lighthouse men. Relief keeper Joseph Moore was put ashore. What he discovered has spooked people ever since. The island was deserted, and to this day it’s unclear what happened to the men.
Among those fascinated by the story is novelist Natasha Pulley. “What really caught my interest about it was not necessarily what happens from the point of view of those lighthouse keepers,” she says, “but what was it like for the first person to reach the lighthouse after them?”
It was a question that got her working on her fourth novel The Kingdoms, a book that mixes timeslip plotting with alternate history as it follows the story of Joe Tournier, resident of Londres. He’s a man suffering from amnesia, who’s moving through a world where Britain lost the Napoleonic Wars after being defeated at the Battle of Trafalgar in 1805: “One of the things I’m really interested in are those moments in history where you can see, very clearly, two possible futures hanging in the balance.”
An answer to Tournier’s nagging doubts about who he is may lie north, which sets him off on “a very gradual wild goose chase up the coast of Scotland”. To say too much more is to risk spoilers, but the story of Eilean Mòr so intrigues Pulley that she’s heading for Scotland’s islands herself this summer, aboard a square rigger, Pelican of London, “in the unlikely capacity of a marine scientist”.
Denne historien er fra July 2021-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra July 2021-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS