LET’S BE HONEST: THE JURASSIC Park universe has never been kind to kids. From Tim and Lex in the very first film to Maisie Lockwood in Jurassic World: Fallen Kingdom, not one of them has had an easy time with the cloned and genetically modified dinosaurs.
If you know that, then you can anticipate exactly the kind of wild ride coming in DreamWorks’ new computer-animated series for Netflix, Jurassic World: Camp Cretaceous. It’s the first television series set inside the canon of the film world. And while it’s geared towards kids and tweens, they better be the kind who can handle their scares. Why? Because Steven Spielberg says so.
“When I came aboard, I was told that when DreamWorks pitched the idea to Steven, his only comment was basically, ‘Don’t do the kiddie version of it. It has to feel like Jurassic,’ showrunner Scott Kreamer tells Red Alert about the tone mandated for the show. “So, when [consulting producer] Zack (Stentz) and I went in with the DreamWorks people to pitch it to Netflix, we were very clear it’s for kids but the stakes have to be real. Not everybody that appears in the show is going to make it.”
MORE THAN MILD PERIL
The conceit of the series is that it takes place during the events of Jurassic World, as six teenagers from all walks of life are the inaugural visitors at a brand-new adventure camp on the opposite side of Isla Nublar. What’s supposed to be a problem-free trip goes from Slush Puppies to screams in two shakes of a T rex’s tail.
Denne historien er fra October 2020-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October 2020-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
