“We were treated like rock stars!” Four decades on, Carrie Fisher remembers the movie that changed her life. Oliver Pfeiffer has an audience with Her Worshipfulness.
“It’s only been positive,” Carrie Fisher says, with a gleam. “I had a really good time making Star Wars. I was very young and got to be the only girl in an all-boy fantasy so that was fun!”
In the four decades following the release of A New Hope, it’s arguably been Fisher who has remained the most consistently enthusiastic about her time in that galaxy far, far away – even if it’s been by adopting an increasingly sardonic approach toward the franchise that made her a star.
From the beginning, she says, she was blown away by the possibilities of George Lucas’s vision. “I remember I read the script out loud with a friend of mine, Miguel Ferrer, who became an actor. It read fantastic. We both wanted to play the part of Han Solo because that was the best part. I couldn’t imagine how they were going to pull it off [but] I definitely wanted to be in it given that they had a chance at pulling it off.”
As Fisher reveals, it was far from an easy experience for the 19-year-old hired to embody the feistiest of screen princesses. “When I got the part they told me I had to lose 15 pounds so I thought I’d better lose that or they’ll fire me! I kept thinking they would realise they’d made a mistake so I kept very quiet, which, if you know me is unbelievable!”
And as for Leia’s now legendary space buns… “When [George Lucas] said, ‘We’re going to put that awful hairstyle on you,’ I grew to love it. ‘What do you think of this?’ they asked. ‘Do you like it?’ I said, ‘It’s fantastic!’ So that’s why that [hairstyle] exists. I did whatever they said as I kept thinking they’d realise what they’d done and fire me.”
Denne historien er fra March 2017-utgaven av SFX.
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Denne historien er fra March 2017-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS