Sad crooner MELLOW FELLOW discusses the dynamics of being a self-proclaimed internet artist and why existing solely online is a-okay
WHEN 22-year-old Ralph Lawrence “Polo” Reyes first enters the office in his basic striped tee, beige shorts, white Adidas kicks, and a fresh new semi-mohawk buzz cut, it’s easy for anyone to dismiss him as a regular dude dropping by to visit a friend. After all, no one really knows the face of this self-taught jizz jazz-infused dream pop artist going by the alias Mellow Fellow, who’s gotten himself quite a following online, as well as hundreds of thousands of views and listens on both YouTube and Spotify. Scour his SoundCloud and you’ll notice that there isn’t a single photo of him in any of his uploads, nor any indication of who or where the voice behind breakout slow tune Dancing is actually from.
Since he first uploaded his instrumental guitar song garage604 six years ago, Polo has somehow managed to conceal his identity throughout all three of his albums—“Mellow Fellow” (2014), “604 DIAMOND STREET” (2015), and most recently “Jazzy Robinson” (2017). He half-jokingly admits that it was a marketing scheme at first, perhaps even a jest that his location reads “Not from the Philippines,” when in fact he’s a Manila native hailing from Sucat, Muntinlupa City.
Polo confides, “You know, I’m not very photogenic. And quite honestly, I’m not really as confident as I should be. I’ve been playing guitar for like 10 years now, but I only started singing three years ago, and I still don’t consider myself a good singer. Plus, music to me is a hobby. It’s not really something I’d do career-wise. Yeah, sure, I’ll make a few bucks here and there, but to earn a living? Not really. It’s just a question of passion, and I love doing it. I mean who knows, I might not even be making music next year, but right now, it’s what I love.”
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Denne historien er fra Nov - Dec 2017-utgaven av Scout.
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Girl of the year
After years on hiatus, 17-year-old Ylona Garciaa has found her way back to her first love: music
Walking on a Tightrope
The Binisaya Film Festival grew from pop-up screenings in beaches, rooftops, basements and basketball courts. How did founder Keith Deligero go against the tide?
URBAN DISRUPTION
As street art falls into the trap of commercialism, collectives like koloWn of Cebu reclaim urban spaces through works that dare to disrupt
Take no prisoners
At 13 years old, Alex Bruce has already built a name for herself in the local hip-hop scene
Paperback dreams
As print was beginning its decline, we were passionate, young creatives who wanted to resuscitate publishing—even if it meant making our own magazines
Putting the spotlight on the South
Run by DJs, MCs and dancers, Laguna Hip-hop is ready to break borders with their growing community
Bekiand the great Gay language
Our local gay lingo is radical in nature
Baybayin: a renewal through art
Filipino-American Baybayin artist Kristian Kabuay talks about Baybayin as a didactic art form that bridges past and present
Wild card
Marco Gallo never dreamt of becoming an actor, so why is he working hard to be the best one out there?
Postcards after the drug war
It went from promises to end illegal drugs in three to six months, to countless protests from human rights activists, and a vice president appointed and (eventually fired) to head the government’s campaign on illegal drugs.