Kathryn Bernardo has spent more than half her life in show business. She has grown to be one of our generation’s biggest stars, but as she embraces changes in her career, will she continue to reign?
Kathryn. The name begins with a short puff of air and evolves into a gentle opening of the mouth. Before it permits the mouth to let out a grin, it requires a fricative— the tongue swiftly touches the upper two front teeth, expelling a rush of air that both interrupts and merges two syllables.
Once the mouth utters those two syllables, only one face emerges, along with a miscellany of scenes and images produced in the last 15 years of being in show business. She is Kathryn Bernardo.
There’s grandness attached to her name. But in person, Kathryn’s presence evokes nostalgia more than something marvelous.
In a literal sense, this shoot is a reunion. BJ Pascual has shot Kathryn in the past. Stylist Mav Bernardo, on the other hand, is Kathrynn’s kin. “They’re cousins,” I told the Scout team when I booked Mav for this shoot. They thought I was joking. Kathryn, however, corrects me. She’s actually Mav’s aunt. Their minimal age gap, though, makes it more apt to call them cousins.
For those who are meeting Kathryn for the first time, it still feels a lot like a reunion with a childhood friend we haven’t seen in a long time. And why not? Kathryn has been a constant figure in showbiz since the early 2000s.
“Hindi mo ako makikita sa movie,” Kathryn recalls her first experience on set. “Lumakad lang ako doon kasi sinama lang ako ng sister ko. May wedding scene tapos dumaan ako.” The movie in question is Chito S. Roño’s Dekada ’70. As much as she was barely seen in the movie, Kathryn was also clueless about what was happening on the set.
Denne historien er fra April - June 2019-utgaven av Scout.
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Denne historien er fra April - June 2019-utgaven av Scout.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Girl of the year
After years on hiatus, 17-year-old Ylona Garciaa has found her way back to her first love: music
Walking on a Tightrope
The Binisaya Film Festival grew from pop-up screenings in beaches, rooftops, basements and basketball courts. How did founder Keith Deligero go against the tide?
URBAN DISRUPTION
As street art falls into the trap of commercialism, collectives like koloWn of Cebu reclaim urban spaces through works that dare to disrupt
Take no prisoners
At 13 years old, Alex Bruce has already built a name for herself in the local hip-hop scene
Paperback dreams
As print was beginning its decline, we were passionate, young creatives who wanted to resuscitate publishing—even if it meant making our own magazines
Putting the spotlight on the South
Run by DJs, MCs and dancers, Laguna Hip-hop is ready to break borders with their growing community
Bekiand the great Gay language
Our local gay lingo is radical in nature
Baybayin: a renewal through art
Filipino-American Baybayin artist Kristian Kabuay talks about Baybayin as a didactic art form that bridges past and present
Wild card
Marco Gallo never dreamt of becoming an actor, so why is he working hard to be the best one out there?
Postcards after the drug war
It went from promises to end illegal drugs in three to six months, to countless protests from human rights activists, and a vice president appointed and (eventually fired) to head the government’s campaign on illegal drugs.