When Norman Bates was introduced to the world in 1960, he took people by surprise.
The 1950s had been full of science fiction that tried to make sense of the looming threat of nuclear devastation through the vanquishing of various radioactive monsters, while horror was reinventing the traditional villains for a new generation, most notably in films like Hammer’s Dracula (1958) and The Curse of Frankenstein (1957). In amongst all this, after having recently directed classic colour thrillers Vertigo (1958) and North by Northwest (1959), Alfred Hitchcock chose to make a black and white psychological horror on a low budget and relatively short shooting schedule. Initially, critics weren’t sure but the canny Hitch used all his marketing wiles and a huge hit was born. What makes Bates different from his contemporaries is that he is an entirely human ‘monster’. There’s no grand scheming behind his actions, no hero to be his foil but instead a damaged human doing horrible things.
Denne historien er fra August 2017-utgaven av Starburst Magazine.
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Denne historien er fra August 2017-utgaven av Starburst Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Memoirs Of The Dead
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TRUTH BE TOLD
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Telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
AN EYE FOR AN EYE
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telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
