Back in 2015, Ant-Man was a small hero, with little expectation on his shoulders. Based on one of the sillier-sounding characters from the comics (“I thought they had run out of characters and now they were making them up,” said Evangeline Lilly when first offered the script), it also suffered production problems as original director Edgar Wright departed, replaced at the 11th hour by Peyton Reed.
You’d have been forgiven for going in with microscopic hopes. But the film turned out to be one of Marvel’s most fun origin stories, with a perfect hangdog (ant-y)hero in Paul Rudd’s criminal turned, well, criminal (but with cool tech and a righteous mission), Scott Lang.
The scaled-down action brought a new flavour to screen superpowers. Ant-Man has since featured in Civil War, where he made a BIG impact on the side of his idol Captain America, but he was nowhere to be seen in this year’s apocalyptic epic, Avengers: Infinity War, apparently on house arrest for involvement in the Sokovia Accords-contravening dust-up in Germany. Ant-Man And The Wasp is here to show what Scott was up to during that time, and also to offer something of a respite after the heaviosity of the game-changingly ambitious Infinity War, acting as a reminder of just how fun a light, lean standalone MCU movie can be.
Denne historien er fra August 2018-utgaven av Total Film.
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Denne historien er fra August 2018-utgaven av Total Film.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Snow Time to Die - Red One J.K. Simmons' Santa gets kidnapped. Luckily, Dwayne Johnson's on hand to save him...
If 2022's Violent Night gave us Die Hard in a Santa suit, Jake Kasdan's Red One could be retitled North Pole Has Fallen. The world imagined by Kasdan finds Saint Nick kidnapped two days before Christmas Eve. It's up to Dwayne Johnson's head of security, Callum Drift, and Chris Evans' unscrupulous hacker-for-hire, Jack O'Malley, to hunt down the man in red in time for the big day.
Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
McQueen & Country
A moment of national pride and terror comes to the screen with World War Two historical drama Blitz. Total Film speaks to writer/director Steve McQueen and his stars Saoirse Ronan and Stephen Graham about uncovering the truth and celebrating the triumph of a defining moment in modern British history.
'I WAS, AND AM STILL, SURPRISED BY EVERY OPPORTUNITY. I'VE BEEN CONTINUOUS AND FEEL AT THE TOP OF MY FORM' JEFF GOLDBLUM
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STICKY SITUATION
Seven years on from his last big-screen appearance, marmalade's biggest fan returns for Paddington in Peru. Total Film talks to director Dougal Wilson, actor Hugh Bonneville and the visual-effects wizards who make the magic happen...
BORN TO BE WILD
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HUMPH DAY BOGART: LIFE COMES IN FLASHES
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CALLING THE SHOTS
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