NO TIME TO DIE
12A FILM OUT NOW CINEMAS
Over an agonizingly protracted 18-month postponement, with the release date buffeted farther into the future at least three times, the title of the much-anticipated film formerly known as Bond 25 has taken on a grim irony.
No Time To Die finally arrives six years after Daniel Craig’s last Bond adventure, Spectre (the second biggest gap between films since the series began in 1962, eclipsed only by the hiatus between Licence To Kill and GoldenEye). This being the swansong for Daniel Craig’s take on the character, it was always going to be laden with expectation, something that the repeated Covid delays and its appointment as the potential saviour of cinema have only intensified.
After such a long wait, you certainly get a lot of bang for your buck (it’s 15 minutes shy of three hours), and for fans of Craig’s run as the character, there’s plenty here to satisfy. Yes, it largely adheres to the formula that’s the franchise’s blessing and a curse: you get spectacle galore in terms of action set-pieces, incredibly shot locations and attractive characters wearing the hell out of killer costumes. While the conventions can occasionally feel confining, there are enough significant deviations to make this entry stand out.
Denne historien er fra November 2021-utgaven av Total Film.
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Denne historien er fra November 2021-utgaven av Total Film.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
RETURN TO OZ
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GRIN AND BEAR IT
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CLOWNING GORY
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He broke out in Beatles jukebox musical Yesterday and has a varied slate of juicy projects on the horizon, including a very different take on a superhero franchise. But, as the everhumble Himesh Patel tells Total Film, he puts a lot of it down to luck...
A BUE ABOVE
WORLD-BUILDER EXTRAORDINAIRE RIDLEY SCOTT IS ALSO THE MASTER OF THE DIRECTOR'S CUT, RESTORING HIS MISHANDLED GEMS INTO MASTERPIECES. WITH THE EXPANSIVE DIRECTOR'S CUT OF NAPOLEON NOW AVAILABLE TO STREAM, TOTAL FILM SPEAKS TO THE GREAT SCOTT ABOUT BLOWING UP BONAPARTE HIS RELATIONSHIP WITH EDITING AND WHY BIGGER IS (USUALLY) BETTER.
